Andrija Pivčević

Documentary about the life and work of Ivan Martinac (1938-2005), avant-garde & experimentalist filmmaker from Split, Croatia.

La tercera parte de una trilogía sobre las pruebas y tribulaciones de un intelectual comunista croata en los turbulentos años antes, durante y después de la Segunda Guerra Mundial.

An architect returns from Ampurias in Spain. There is a friend of his, an investigating officer waiting for him at the airport. He spends some days in Split and suddenly takes his own life. His friend finds a audio tape he left in his apartment. He listens to the architect's story and slowly he begins to think like a suicide...

"Exile" is a religious parable on death and dying, contrasting the burning of an old ship with images of a woman dying in a dark interior, and a suggestion of redemption in the images of city covered by snow.

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.

The concept of the film "People (Passing) II" can best be described as an ultimate dynamic of visual and acoustic rhythm with a texture which consists of people passing, standing, sitting, laying, swinging, fukmed by static, mobile, at times intrusive, but always with a highly suggestive camera.

This meditation on transience, possessing a macabre and mysterious atmosphere, filled with a number of ambient motifs that are repeatedly succeeded by confounding silhouettes of human heads, is founded upon rhythmic contrasts and structural molding of film.

Before a dynamic camera waitresses are rushing in all directions at the busy central Split train station, doing their daily work. The hectic atmosphere is amplified with cuts from face to face, movement to movement, transforming the film into a rhythmically programmed energetic trip.

A 8mm experimental short made in Kino Klub Split.

Compressing one idle day in the life of a young artist by rotating the camera through his room, a sort of a self-portrait of Lordan Zafranović resembles a one-shot film, its grainy photography and moody music suggesting a meditative atmosphere characteristic for Split authors of his generation.