Rania Oikonomidou

PelĂ­culas

Jasmine
During a pandemic, a granddaughter has daily telephone contact with her isolated grandmother. Until the day when the grandmother does not answer...
Without
Mother
A contemporary married couple and their eight-year-old son are exposed to our observation. The husband, around 35, works as a tax specialist for an import-export firm. His 30-year-old wife looks after their child and their home. The man's impending promotion at work triggers their dreams of social advancement and financial improvement. As their plain everyday life unfolds the characters are denuded to reveal their different needs and desires which render their functioning and communication increasingly hard. The man's inability to meet the escalating demands of his social circle and those of his wife brings tension into their relationship and leads to the culmination of the drama. The unexpected as well as extreme solution given by the heroine leads both the hero and the viewer to redefine reality on the basis of how things look and how they really are.
The Man in Grey
Maro Hrysi
Leonidas, a family man retires from the public sector. He goes on vacation alone, as usually. There he meets the wife of a friend of his, who lives in Switzerland. They become emotionally involved, but Christina goes back to her husband. He follows her, but soon decides to come back to Athens. Christina after a while comes to Athens, seeking their reunion. While Leonidas initially clashes with his family for her, in the end he compromises and decides that the dream is not for him.
The Red Daisy
An employee of a pharmaceutical company is unjustly accused of doping a racehorse and finds refuge in a provincial troupe, where he becomes the man for all errands.