André Schneider

Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society.

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.

Nicolas Wolf, an Austrian who's just inherited his grandmother's Parisian flat, is shaken with fear as an unexpected nightly visitor refuses to leave. But no-one but Nicolas seems to be able to see the menacing stranger.

A circle of friends is getting together for a fun night out in Paris. It is Friday, the 13th of November, 2015.

A circle of friends is getting together for a fun night out in Paris. It is Friday, the 13th of November, 2015.

Anam Wagner, a bisexual Belgium-based writer, comes back to his hometown where he has a hard time coping with his family's checkered past.

Anam Wagner, a bisexual Belgium-based writer, comes back to his hometown where he has a hard time coping with his family's checkered past.

Anam Wagner, a bisexual Belgium-based writer, comes back to his hometown where he has a hard time coping with his family's checkered past.

Anam Wagner, a bisexual Belgium-based writer, comes back to his hometown where he has a hard time coping with his family's checkered past.

Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.

Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.

Eros and Thanatos. One deep breath: this is what Maël might need to cope with his partner Adam's suicide, a tragic event that, apart from great sorrow, has caused him to have a physical breakdown. He is troubled by his doubts about his lover's last drastic act, by how he put an end to his life and to their difficult relationship. But his grief turns into anger when he discovers that Adam had a secret long-term relationship with a woman called Patricia: he digs deep into his own memories, recollecting past events and eventually meeting his rival. On her part, Patricia will have to face unexpected dangers. A claustrophobic melodrama, with an unstructured and evocative narrative style. Here, South African director Antony Hickling, 34, confirms his visionary talent and ability to adopt a fresh point of view on queer cinema. All the performers are strictly gay and transgender, including Manuel Blanc, who was once André Téchiné's muse.

Featurette with actor Eric Falk about the making of Jess Franco's "Mädchen im Nachtverkehr".

A short film about the gift of love and poetry.

After being separated for three years, Laurent and André discover that their feelings for one another are everything else but dead. After a long weekend together, they decide to give their relationship a second chance.

After being separated for three years, Laurent and André discover that their feelings for one another are everything else but dead. After a long weekend together, they decide to give their relationship a second chance.

The gay couple Tobi and Ernie are being visited by Ernie's old friend Uta. What at first looks like an innocent house-call, turns into an insidious attack on the couple's relationship.

The gay couple Tobi and Ernie are being visited by Ernie's old friend Uta. What at first looks like an innocent house-call, turns into an insidious attack on the couple's relationship.

The gay couple Tobi and Ernie are being visited by Ernie's old friend Uta. What at first looks like an innocent house-call, turns into an insidious attack on the couple's relationship.

Alemania /// Mientras sus compañeros de trabajo siguen discutiendo sobre la próxima campaña de publicidad, Leo (Marcel Schlutt) lleva un rato desconectado de ellos. No puede dejar de mirar a un chico que está sólo leyendo un libro en otra mesa de la cafetería donde están ellos. Nadie del entorno de Leo se puede imaginar que algo así le puede estar pasando por su cabeza, y mucho menos su novia Carla (Barbara Kowa) con la que comparte casa y que está deseando casarse con él.

Alemania /// Mientras sus compañeros de trabajo siguen discutiendo sobre la próxima campaña de publicidad, Leo (Marcel Schlutt) lleva un rato desconectado de ellos. No puede dejar de mirar a un chico que está sólo leyendo un libro en otra mesa de la cafetería donde están ellos. Nadie del entorno de Leo se puede imaginar que algo así le puede estar pasando por su cabeza, y mucho menos su novia Carla (Barbara Kowa) con la que comparte casa y que está deseando casarse con él.

Alemania /// Mientras sus compañeros de trabajo siguen discutiendo sobre la próxima campaña de publicidad, Leo (Marcel Schlutt) lleva un rato desconectado de ellos. No puede dejar de mirar a un chico que está sólo leyendo un libro en otra mesa de la cafetería donde están ellos. Nadie del entorno de Leo se puede imaginar que algo así le puede estar pasando por su cabeza, y mucho menos su novia Carla (Barbara Kowa) con la que comparte casa y que está deseando casarse con él.

Alemania /// Mientras sus compañeros de trabajo siguen discutiendo sobre la próxima campaña de publicidad, Leo (Marcel Schlutt) lleva un rato desconectado de ellos. No puede dejar de mirar a un chico que está sólo leyendo un libro en otra mesa de la cafetería donde están ellos. Nadie del entorno de Leo se puede imaginar que algo así le puede estar pasando por su cabeza, y mucho menos su novia Carla (Barbara Kowa) con la que comparte casa y que está deseando casarse con él.

Carlos Álvarez, un detective aferrado a unos anticuados códigos de comportamiento, recibe un encargo rutinario: vigilar a la mujer de un empresario. Las evidentes infidelidades se complican con una muerte, y entran en juego nuevos protagonistas: la hija de un empresario, una joven con muchos encantos y escasos recursos, el abogado de la familia y el socio millonario con negocios abiertamente ilegales. El detective se convierte en un blanco de golpes, tiroteos e interrogatorios policiales, mientras intenta aclarar la muerte de su cliente y cerrar un caso del que ha cobrado sólo la mitad

An alcoholic married man discovers he has fallen out of love with his moody wife.

An alcoholic married man discovers he has fallen out of love with his moody wife.

An alcoholic married man discovers he has fallen out of love with his moody wife.

Retrata un periodo trágico de la vida del pintor Rembrandt van Rijn, cuando el artista pierde a su mujer y a sus tres hijos. En esa época, hacia 1642, es cuando -por encargo- pinta uno de sus cuadros más conocidos, 'The Night Watch' (La ronda de noche), el lienzo que refleja la conspiración de un vil asesinato.

Jessie Wallace stars in this BBC drama based on the turbulent life and times of Marie Lloyd, known as the 'Queen of the Music Hall', who was famous at the turn of the 20th century not just for her performances on stage but also for her riotous behaviour off it. Lloyd's love life and outrageous conduct made her a target for the rising tabloid newspapers of the time. The film includes some of Lloyd's most famous songs, including 'My Old Man Said Follow the Van' and her theme song 'A Little of What You Fancy Does You Good'.

Rosalie, an aging art historian, falls in love with a troubled bisexual artist half her age. Their relationship becomes pure torture for them both.

Un hombre consciente de que su vida no es más que una monótona rutina, toma la decisión de abandonar su apartamento y romper con su pasado y sus amigos. Aun así, el desasosiego lo acompaña a todas partes. Nada de lo que hace calma su ansiedad, pero un día encuentra una silla que puede cambiar su vida. (FILMAFFINITY)

Segunda Guerra Mundial, septiembre de 1944. En un intento de acabar la guerra por Navidad, Winston Churchill concibe un plan extraordinario: enviar 35.000 soldados tras las líneas enemigas, a la Holanda ocupada por los alemanes. Entre las tropas británicas hay un pequeño grupo de hombres cuyo nombre en clave es "Caja de Cerillas", y con un objetivo muy distinto: han de encontrar un impresionante tesoro de oro holandés y obras de arte que los nazis guardan en un lugar aparentemente inexpugnable.

El doctor Michael Glass, un reputado psiquiatra criminalista de Londres, es invitado por el detective de Scotland Yark, Roy Washburn, para que evalue a la novelista Catherine Tramell, una polémica y atractiva escritora de éxito que se se ha visto de nuevo envuelta en otro turbio asesinato.

Follows Tulse Luper as he is swept into the ill-fortuned tides of the 20th century and forced to spend his life in a succession of imprisonments.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

A man desperately searches for his girlfriend on the Costa del Sol.

Two drug-addicted, incestuous, rich siblings kill a call-boy to make playing cards out of his skin.

Two drug-addicted, incestuous, rich siblings kill a call-boy to make playing cards out of his skin.

Two drug-addicted, incestuous, rich siblings kill a call-boy to make playing cards out of his skin.

Las aventuras de Tulse Luper continúan desde Amberes. Comienza la Segunda Guerra Mundial y Tulse Luper es un prisionero que recorre el norte de Europa. Se convierte en espía en la mansión en Vaux (Francia) que se ha convertido en una clínica Aria. En Estrasburgo, es obligado a ser acomodador en el cine Arc-en-Ciel y le obligarán a vestirse de mujer para hacerse pasar por una costurera en la residencia burguesa de una anatomista obsesiva y fanática de Ingres en la localidad de Dinard, en la costa francesa.