Director
A film made in the Photographic Collection of the Warburg Institute, London, during which time research is undertaken into images of Daphne, and her transformation into a laurel tree; other transformations occur, also.
Producer
A psychological micro-drama that moves from the sanctuary of a domestic garden to the half-remembered shadows of a house, Clio Barnard’s Dark Glass peers back into a semi-veiled interior world of fraught, ambivalent memories. Shot on a mobile phone camera to accentuate a feeling of intimacy and immediacy, the flickering nature of the footage also emphasises the film’s uncanny, otherworldly quality.
