Conductor
Trapped in an unhappy marriage, a woman mourns the devastation of the forest around her. An unexpected affair instigates an explosive metamorphosis, and she finds perfect release as a tree. But the world is a dangerous place for trees, and deep in the forest a forester and a student lay claim to a body of wood and leaf - one for money and one for love. A subversion of Ovid’s Metamorphoses, Like flesh is the fruit of a collaboration between a group of committed young artists. The Israeli composer Sivan Eldar creates an intriguing sound world by combining orchestral and electro-acoustic music. The British playwright Cordelia Lynn is already well known in English theatre circles for, among other things, her collaboration with Katie Mitchell to re-stage The Tempest.
Conductor
Spiced with Italian buffa, L’Heure espagnole transports us to Torquemada’s clock shop, the scene of his wife Concepcion’s infidelities.
Conductor
Weary of tragic subjects, for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead!
Conductor
Weary of tragic subjects, for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead!
Conductor
Spiced with Italian buffa, L’Heure espagnole transports us to Torquemada’s clock shop, the scene of his wife Concepcion’s infidelities.
