Director of Photography
Vetri decided to find her fellow former child soldiers. They, like her, fought for the independence of the Tamil state in northern Sri Lanka. Talking together, they open up the traumas of war and reveal stories that were meant to be forgotten.
Director of Photography
The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.
Director of Photography
Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Casting
Three Russian street kids, who live on their wits in a train station, take off to the countryside hoping to make it across the border to a better life in Poland. They are alternately looking for tenderness and pushing it away because they sense that it is a sign of vulnerability they can ill-afford. Kędzierzawska has the rare ability to take the world of children on its own terms. There is not a false note in this dazzlingly beautiful and emotionally involving story of three kids trying to find their path to a new life. - Adelaide Film Festival
Director of Photography
Anna – the mother of a 16-year-old Adaś, who is dying of cancer, is desperately trying to find Wiktor, an author of an internet blog. Wiktor maintains to have found a cure for cancer. Anna’s night journey through the real and virtual world ends with a shocking discovery. The film is based on the short story 'Płomyk za szybą' [Flame behind the Window] by Marcin Kaczmarek and corresponds to the tenth Commandment: 'You shall not covet your neighbour’s goods'.
