Director
An old woman who has taken a vow of silence and talks to no one. She only has one big goal; to receive the government's permission to enter the island. Someone is waiting for her there. But after thirteen years, entry permit was not granted to her. She’s searching for a way until…
Editor
After a dam flooded a village in northern Iran, one island remained. There’s a grave on it. On a hill above the new lake, an old woman looks out at it. An intimate look at the daily routine of an Iranian woman who has survived modestly for twelve years alone in a house at the base of the mountain. She waits for permission to visit the island.
Director of Photography
After a dam flooded a village in northern Iran, one island remained. There’s a grave on it. On a hill above the new lake, an old woman looks out at it. An intimate look at the daily routine of an Iranian woman who has survived modestly for twelve years alone in a house at the base of the mountain. She waits for permission to visit the island.
Writer
After a dam flooded a village in northern Iran, one island remained. There’s a grave on it. On a hill above the new lake, an old woman looks out at it. An intimate look at the daily routine of an Iranian woman who has survived modestly for twelve years alone in a house at the base of the mountain. She waits for permission to visit the island.
Director
After a dam flooded a village in northern Iran, one island remained. There’s a grave on it. On a hill above the new lake, an old woman looks out at it. An intimate look at the daily routine of an Iranian woman who has survived modestly for twelve years alone in a house at the base of the mountain. She waits for permission to visit the island.
Editor
Against the violent yet stunning backdrop of the Qandil Mountains, a film that asks the most basic yet painful of questions about war, love, and lost ones.
Writer
Against the violent yet stunning backdrop of the Qandil Mountains, a film that asks the most basic yet painful of questions about war, love, and lost ones.
Editor
Haibat and six of her grandchildren are making furnaces (tandoor ovens) under the burning sunlight of Kirkuk, but they don't have any bread to eat themselves! Haibat's son became depressed and died due to poverty and lack of employment. While her city is one of the biggest sources of oil worldwide, Haibat and her six grandchildren are trying to make ends meet in this city of oil. This vicious circle goes around.
