Pascal Martin

Pascal Martin

Perfil

Pascal Martin

Películas

Plus Venise
Le chant de l'âme
Fragments
Desgarradora crónica fragmentada de lo cotidiano.
Une journée avec Pascal Martin et André Robillard
Mesures de miel et de lait sauvage
Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”
Souvenirs/Rouen
Himself
Imágenes fugitivas de la ciudad del noroeste de Francia.
4 à 4 Métro-Barbès-Rochechou-Art
A principios de los años 80, este colectivo de artistas inventó un estilo de cine realizado en 4 manos, donde cada uno de los protagonistas es también cineasta.
Sur Graal de T.H.
Chutes de Pascal
Himself
Outtakes from the movie
Pascal
Title Designer
Catalogada en su momento por el mismo Teo Hernández como uno de sus filmes más bellos.
Pascal
Music
Catalogada en su momento por el mismo Teo Hernández como uno de sus filmes más bellos.
Pascal
Catalogada en su momento por el mismo Teo Hernández como uno de sus filmes más bellos.
Graal
The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the subjects at all times. (...) This is not about "the" Holy Grail and its legend but about the concept of the Grail, taken in a larger sense as a universal archetype: abbreviation, metaphor of the cosmos. In fact, achievement. That is what the Grail is: the achievement's completion.
Lacrima Christi
Lacrima Christi, third part of the tetralogy Le Corps de la Passion (The Body of the Passion, 1977-1980), is inspired by Christian mythology, from which it draws a creative transformation force, in a search for identity that questions the two cultures to which the filmmaker belonged.
Ombres-ailes
A nocturnal "offside". Pascal Martin and the celluloid bather summon us to a strange magical rite that refers to the ambiguous games of childhood.
Hors-jeu
As this title indicates, the rule of the game is random. The protagonist invites us to play rhythmic palpitations of radio parasites and broken images.
Cinématon
N°485
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Cinématon n°485 : Pascal Martin