Carolyn Brown

PelĂ­culas

Cunningham
Herself
The iconic Merce Cunningham and the last generation of his dance company is profiled in Alla Kovgan's 3D documentary, through recreations of his landmark works and archival footage of Cunningham, John Cage, Robert Rauschenberg, and more.
Merce Cunningham: A Lifetime of Dance
Herself
A history of the work of Merce Cunningham.
Antic Meet
Dancer
Performed like a series of vaudeville scenes that overlap, Antic Meet consists of ten playful and comedic numbers. The curtains opened with Cunningham moving among the other dancers as a clown-like figure "who falls in love with a society whose rules he doesn't know," and concludes much in the same way, as he attempts to keep up with the dancers, each with their own movements, as they dance diagonally across the stage. Cage provided the musical accompaniment, using a version of Concert for Piano and Orchestra, and Rauschenberg designed the costumes, which included fur coats and parachute dresses over black leotards.
Night Wandering
Dancer
Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.