Félix Blume

Remmy y sus padres, refugiados de la Tierra, han encontrado la paz en las afueras de Marte hasta que aparecen extraños en las colinas más allá de su granja. Contada como un tríptico, la película sigue a Remmy mientras lucha por sobrevivir en un paisaje inquietante.

Strange lights appear at night in the Mexican desert, an invitation to widen our eyes in the twilight, and listen to sounds hidden in darkness.

Strange lights appear at night in the Mexican desert, an invitation to widen our eyes in the twilight, and listen to sounds hidden in darkness.

Over the past fifty years, the Mange-Garri chemical plant has drained more than 30 million tons of toxic sludge into the Mediterranean Sea while producing aluminum oxide. The surrounding area has quickly become a major dump, now covered in dark red ooze. The film draws attention to the unstoppable process of human self-destruction through a series of carefully selected shots of the industrial environment and the eyewitness reports of local residents.

The children of a mountain village near Mosul re-enact a century of Iraqi history, from the secret Sykes-Picot agreement in 1916 to the realm of terror imposed by the Islamic State in 2016. The children revisit their past to understand their present.

The filmmaker Théo Angelopoulos died on January 24th, 2012, knocked down by a motorbike on the set of his final film. In his unfinished film, he was telling the destinies of the victims of the Greek crisis. The list of victims of the crisis has only grown longer, this destitution echoing another that Théo had sensed was coming: that of the massive arrival of refugees who find themselves trapped in Greece by the closure of the borders. Yet citizen resistance is being organized and fights every day to bring those in danger of obliteration out of the shadows. Ironically, the ambulance supposed to come to his rescue broke down because budgetary restrictions had made it impossible to maintain the vehicle. The crisis itself killed Théo. This is a letter addressed to him in the form of a film.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

In the heart of the Amazon, Tauary (Brazil) inhabitants invite us to listen to the sounds of the jungle, the birds, and animals. However, there are also some weird sounds: a creature prowling around the trees. Some of them have heard it, very few have ever seen it, and those who did find it never came back. Curupira, creature of the wood takes us in search of this being: a reflection about myths and their place in the contemporary world. It’s a sound thriller in the midst of the jungle.

Ramin es un joven gay de 30 años. Huyó de la persecución en Irán, y después de viajar clandestinamente en un barco desde Turquía llegó a la ciudad portuaria tropical de Veracruz, México. Allí está viviendo en el limbo del exilio, lejos de todo lo que sabe. Su nostalgia y melancolía se confrontan con nuevas amistades, mientras comienza a redescubrir sus propios deseos.

The history of barbed wire, whose use dates back to the first settlers of the Wild West, always driven by their reckless and ruthless spirit of conquest and selfish ambition to leave their mark on wild lands; of its relationship with politics and mercantilism; of the perversion of the millenary relationship between men and animals; of the evolution of surveillance techniques. Fences and borders: the tragic tale of the enclosure of the world.

"Beyond the Ararat" is the story of a woman of Turkish origin who embarks on a journey to better understand what makes up her identity. A road movie which brings her from her childhood neighborhood in Brussels to Turkey and Armenia. A quest where each woman she encounters could be the reflection of herself. Entering the land of her ancestors, Anatolia, she questions her cultural heritage. Stopping in her grandmother's village, she discovers the "Agit"; an antique oral tradition where women sing for their dead. The songs open a potential space for mourning, where Turkish, Kurdish but also Armenian women missing from that land, can sing "together". The confrontation with the "missing" from her memory, brings her farther eastward in Anatolia to the foot of the Ararat Mountain, and beyond.