Steevens Simeon

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

"GEDE VIZYON" takes its viewer on an unusual tour of the Grand Cemetery of Port-au-Prince, Haiti. While exploring the material and immaterial intricacies of the cultural, spiritual and historical space that is the cemetery, the camera takes on a life of its own. Running amok in the labyrinthine structure of its environment, it captures evocative sounds and images on its erratic voyage.