Alejandra Herrera

En una futura ciudad distópica, dos inmigrantes climáticos solitarios intentan conectarse escribiendo cartas a la antigua usanza. Una película indígena de ciencia ficción que contempla el futuro.

Maria Luisa is ready to escape immigration limbo, but when her greencard interview takes an unexpected turn, she faces the anxiety of losing the life she had planned.

Ingrid, a teenager who lives in a small town in Mexico, faces a reality in which others decide for her, forcing her to experience situations that put her life at risk and leave her vulnerable at a very young age. With the help of her best friend, Brenda, and against the complicit silence of the town, Ingrid will have to make decisions that will completely change the course of her life.

A prehistoric family's desperate search for a mythical source of life turns to tragedy when the egos and obsessions of its male members rise to the surface.

Max regresa a su barrio pobre convertido en vocalista de una banda de rock. Allí aguardan los recuerdos, las últimas noticias y las verdades que callaron durante años: Sonia es una voz que habla desde la muerte.

Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it's no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?

Rosa is a young single mother that makes huge sacrifices for her daughter Luisa.