Mistress Formika

PelĂ­culas

The Little House That Could
Self
A group of young lost rebellious outsiders are given a home in New York City by Emmy Award-winning fashion stylist, Patricia Field, and together take on the world, changing it forever. Field, has done a lot more than Sex and the City. She has spent several decades saving lives and giving hope to lost outsiders who society frowned upon--transsexuals, club kids, drag queens, gay teenagers, butch-dykes, people who needed to escape from their hometowns because they were never understood. This is the story of a close-knit unconventional family in New York that has single-handedly changed music and fashion for the world several times over. Toronto filmmaker, Mars Roberge, has spent a decade becoming one with them so that their story could be told. In doing so, he becomes part of their family.
MY NAME IS JACKIE BEAT
Follows the life of one of today's most notorious bad-girl drag performers: Jackie Beat. Backstage we meet Kent Fuher, the man behind Jackie Beat, an incredibly talented performer whose life is ruled by constant doubts and insecurities. As Kent Fuher travels between New York City, Toronto, Los Angeles, Fire Island and then across the Atlantic to Berlin, he constantly questions his life and profession and slowly reveals his personal life.
Venus Boyz
Himself/Herself
A film journey through a universe of female masculinity. A legendary Drag King Night in New York is the point of departure for an odyssey to transgendered worlds, where women become men - some for a night, others for their whole lives. What motivates them? What changes take place? What do they dream of? The drag kings of New York meet in clubs and change lustfully into their male alter egos, parodying them and exploring male eroticism and power strategies. In London we see women experiment with hormones to become new men and 'cyborgs'. Masculinity and transformation as performance, subversion or existential necessity.