Djouhra Abouda

Djouhra Abouda

Nacimiento : 1952-04-03, Ifigha, Algeria

Historia

Going by the name of Djurjura, Djouhra Abouda started a musical career combining women’s voices with Kabyle cultural claims in the early 1970. She began working as a filmmaker with Algérie couleurs (1970-1972) and Cinécité (1973-1974), both kaleidoscopic collages co-directed with Alain Bonnamy within the experimental film lab of Vincennes University. (Nicolas Feodoroff- FID 2021)

Perfil

Djouhra Abouda

Películas

Ali in Wonderland
Producer
'Ali au pays des merveilles' by Abouda and Bonnamy calls out the exploitation and racism it unflinchingly ascribes to the French state, the media, capitalism and colonisation in a system of domination that grinds down those subjected to it.
Ali in Wonderland
Sound
'Ali au pays des merveilles' by Abouda and Bonnamy calls out the exploitation and racism it unflinchingly ascribes to the French state, the media, capitalism and colonisation in a system of domination that grinds down those subjected to it.
Ali in Wonderland
Writer
'Ali au pays des merveilles' by Abouda and Bonnamy calls out the exploitation and racism it unflinchingly ascribes to the French state, the media, capitalism and colonisation in a system of domination that grinds down those subjected to it.
Ali in Wonderland
Director
'Ali au pays des merveilles' by Abouda and Bonnamy calls out the exploitation and racism it unflinchingly ascribes to the French state, the media, capitalism and colonisation in a system of domination that grinds down those subjected to it.
Film inexistant pyramidal n°1
Director
V.W. Vitesse Women
Claudine Eizykman with VITESSE WOMEN, presents a torrent, dazzling film that intersects several sequences according to various rhythms, sometimes close to the perceptive thresholds, allowing the deregulation of the senses desired by Rimbaud, opening the way to another mode of perception. —Michel Nuridsany, Le Figaro
Opus
Director
Cinécité
Director
In the Seventies, Djouhra Abouda developed a cinematographic project in the labs of the Université de Vincennes in Paris with the architect Alain Bonnamy. Together, they produced various experimental films in 16mm “conceived as kaleidoscopic assemblages grounded on a musical paradigm” (Bouhours).
Algérie couleurs
Director