Mandar Kamalapurkar

Artistically inclined villager Avdhut Kale struggles to find his place in the metropolis of Pune. His work and the mounting societal pressures of what is expected of him is a disconnect from his true self. Moreover, his passivity towards life is made apparent through his discourses with friends and family, who voice their perspective of life. Trijya traces the journey of Avdhut and how he faces the reality of his own dreams and aspirations about life in a large Indian city. It takes us through the challenges of today's modern way of life and the compromises one inevitably makes along the way to find peace and a place we can call our own.

A London-based millionaire, deaf-mute, Surbhi (Tamannaah Bhatia) makes multiple enemies when she decides to use the property she inherits from her adoptive mother towards the betterment of kids living in an Indian orphanage.

India, siglo XIX. En las afueras de Tumbbad vive Vinayak, hijo bastardo del jefe del pueblo, obsesionado con un tesoro ancestral. Sospecha que el secreto del tesoro lo conoce su bisabuela, una bruja maldita que lleva siglos dormida. Cuando se acerca a ella se topa con el guardián del tesoro, un malvado dios caído. Lo que empieza con unas pocas monedas de oro se convierte en un ansia que dura décadas. La avaricia de Vinayak sigue creciendo hasta que desata el mayor secreto de todos, que es incluso más valioso que el propio tesoro.

Yamuna along with her son Laxman locates in Mumbai leaving behind her abusive husband. She takes shelter in the house of her aunt Chandra whom she calls Akka. Yamuna's only aim is to give better education to her son. Chandra finds her a job as a sweeper in an art school. Yamuna finds that Chandra poses as a nude model to the students of the school. Chandra confines Yamuna to take up the job of being nude out there the students don't look at you in lust but as a project.

A 12-year-old boy inadvertently receives a religious pamphlet which mandates circulation of copies of the same to avoid grave misfortune.