Production Secretary
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
Production Secretary
Billy está enamorado de la hermosa Andrea, pero ella le pide que se quede en casa y no vaya a recibirla al aeropuerto. Su amante, Bobby, arde en deseos de ser mujer, y cuando un médico le hipnotiza para quitarle e el ansia, se prenda de él. Andrea decide que el mejor amante ha de ser Billy.
Joe Dallesandro plays a hungry young buck who aspires to be a career criminal. He starts out working at a warehouse for a gangster where he helps to relocate illegal contraband, and because of his ruthlessness and dependability he begins to ascend the ladder of organized crime. Of course, the more powerful he becomes, the more "Climbers" come out of the shadows to take his place.
