Damian Plandolit

In their small village in the Cuban countryside, Leonel (9) and Antuán (13) have been friends for their entire lives. But Antuán will move to Habana at the end of the summer and these holidays might be the last they ever spend together.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

On a sailboat in the middle of the Ocean, five teenagers in rehabilitation are travelling with adults of different ages and backgrounds. Off unknown coastlines, the boat’s space becomes a huis-clos in which everyone faces their own difficulties, the challenge of living together and also the manoeuvres of sailing, the Ocean and its turmoil—until the arrival on land.

A forgotten national ballet company set in a theater under construction is shaken into life by the arrival of Julio Bocca, one of the best ballet dancers of all time.

A rainy night in Montevideo. Two brothers escape the city in their car. They just did something serious. A clumsy and untidy escape, where regret and guilt weigh more than thought.

Director Mariana Viñoles documents her return from Belgium to Uruguay after five years of absence and tells the story of her father, her two brothers and an intimate friend, all of whom decided to migrate from the country during an economic crisis.

A Finnish factory. A conflict between two countries. A woman between two men. What happens when one of the largest pulp mill in the world is installed in a small city in the interior of Uruguay?

October 2004. Uruguay. After three years away Mariana returns to her country to be reunited with her family and also to vote. After the economic crisis that plunged the country into a terrible depression, Uruguay is on the brink of a real change. We are shown day to day life in Melo, a small provincial city, we are given an intimate insight into a family of militant leftists, and we accompany a Latin American people in the month leading up to a historic political event: the first ever election victory in Uruguay of a party from the political left, the Frente Amplio.