Nilita Vachani

PelĂ­culas

When Mother Comes Home for Christmas
Producer
Josephine works as a babysitter in Athens. She returns to Sri Lanka one Christmas to meet her children after an absence of 10 years.
When Mother Comes Home for Christmas
Editor
Josephine works as a babysitter in Athens. She returns to Sri Lanka one Christmas to meet her children after an absence of 10 years.
When Mother Comes Home for Christmas
Director
Josephine works as a babysitter in Athens. She returns to Sri Lanka one Christmas to meet her children after an absence of 10 years.
Diamonds in a Vegetable Market
Editor
Sellers crowd India's inter-state bus terminals, selling wares as variegated as their own life stories. From foodstuffs and necklaces to juicers, general knowledge books, pills and potions. The list is endless, the items cheaply priced, often useless. The work is hard, the buses overcrowded, the days long and relentless. The sellers know that it is not the product that sells but their performance. And so the aisle of the bus transforms into a stage where the sellers are the players. Nurtured by fantasies of Bollywood, these actors who will never be, briefly hold the limelight and eke out a living.
Diamonds in a Vegetable Market
Director
Sellers crowd India's inter-state bus terminals, selling wares as variegated as their own life stories. From foodstuffs and necklaces to juicers, general knowledge books, pills and potions. The list is endless, the items cheaply priced, often useless. The work is hard, the buses overcrowded, the days long and relentless. The sellers know that it is not the product that sells but their performance. And so the aisle of the bus transforms into a stage where the sellers are the players. Nurtured by fantasies of Bollywood, these actors who will never be, briefly hold the limelight and eke out a living.
Diamonds in a Vegetable Market
Producer
Sellers crowd India's inter-state bus terminals, selling wares as variegated as their own life stories. From foodstuffs and necklaces to juicers, general knowledge books, pills and potions. The list is endless, the items cheaply priced, often useless. The work is hard, the buses overcrowded, the days long and relentless. The sellers know that it is not the product that sells but their performance. And so the aisle of the bus transforms into a stage where the sellers are the players. Nurtured by fantasies of Bollywood, these actors who will never be, briefly hold the limelight and eke out a living.
Eyes of Stone
Producer
A young woman's story of possession and healing in rural Rajasthan
Eyes of Stone
Director
A young woman's story of possession and healing in rural Rajasthan