The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.
Entirely made in California, the film brings together 30 American and European actors in an epic which crosses the mythical territories of that cinematic land from Zabriskie Point to Mulholland Drive. California is revisited through the movie memories incarnated by the very presence of famous actors and actresses. "The American Tetralogy" is a way of staging reality which questions the fictional nature of the movies.
This film proposes the allegory of a social drift with all the power of romantic fascination that it can evoke. It is about a meeting oftwo young people formatted by a culture of success with two men embodying a nihilistic and dematerialized vision of society. This work treads the fine line that separates the hero from the loser.. Are these two men messiahs or a pair of wandering vagrants? Is this descent on the river closer to a descent into the fires of hell or rather an initiatory journey?
This film proposes the allegory of a social drift with all the power of romantic fascination that it can evoke. It is about a meeting oftwo young people formatted by a culture of success with two men embodying a nihilistic and dematerialized vision of society. This work treads the fine line that separates the hero from the loser.. Are these two men messiahs or a pair of wandering vagrants? Is this descent on the river closer to a descent into the fires of hell or rather an initiatory journey?
This film proposes the allegory of a social drift with all the power of romantic fascination that it can evoke. It is about a meeting oftwo young people formatted by a culture of success with two men embodying a nihilistic and dematerialized vision of society. This work treads the fine line that separates the hero from the loser.. Are these two men messiahs or a pair of wandering vagrants? Is this descent on the river closer to a descent into the fires of hell or rather an initiatory journey?
This film proposes the allegory of a social drift with all the power of romantic fascination that it can evoke. It is about a meeting oftwo young people formatted by a culture of success with two men embodying a nihilistic and dematerialized vision of society. This work treads the fine line that separates the hero from the loser.. Are these two men messiahs or a pair of wandering vagrants? Is this descent on the river closer to a descent into the fires of hell or rather an initiatory journey?
