Jaco Bouwer

Durante una misión de vigilancia en un bosque prístino, una agente forestal encuentra a dos supervivientes viviendo una vida post-apocalíptica. Un chico y su padre, un hombre filosófico, parecen tener su propia religión; consistente en una especie de vínculo misterioso con la naturaleza. Su existencia despierta muchas incógnitas, pero cuando su cabaña es atacada por un ser extraño, descubren que hay en el bosque algo mucho más peligroso de lo imaginaban.

What is supposed to be the best holiday of their lives turns to horror as a group of teenagers is picked off one by one in a small coastal village.

A gripping South African Christmas movie about a dysfunctional family and their beach holiday that forces them to come to terms with their flaws, differences, hate and love for each other.

RATGIRL is the digital avatar of artist Jazzard Jaslyn, who crafts endurance performance pieces staged through Instagram stories which re-enact indignities still faced by marginalised people in post-apartheid South Africa. But this country is lonely is most concerned with the dehumanising and flattening effect social media has on our understanding of complex humanitarian crises.

A gritty prison drama, a story about stories, memories inherited become weapons in the mouths of prisoners. Four men in a cramped cell struggle for space to sleep, sit, speak, think. When everyone screams at once, a strange truth emerges.

Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).

A feared gang leader is released on parole after seven years. Has Map Jacobs changed, or is he still the bully? A family and community drama that takes place against the forced relocations from the Cape to the Plains. This piece gives a look at the way of life of the uprooted, their love and pain and the desperate longing for a better existence in a system that especially fails the defenseless.

A feared gang leader is released on parole after seven years. Has Map Jacobs changed, or is he still the bully? A family and community drama that takes place against the forced relocations from the Cape to the Plains. This piece gives a look at the way of life of the uprooted, their love and pain and the desperate longing for a better existence in a system that especially fails the defenseless.

A play about rugby by Saartjie Botha.