Production Design
A snack bar owner smokes with his Muslim neighbor in the stairwell of their apartment building at night. Her husband is his good friend. They draw closer to one another as the nights go on and look out over the city to the dark satellites, the brutalist concrete buildings on the outskirts of the city - relics of the GDR past. A security guard watches over Objekt 95, a satellite town with a residential complex which many foreigners call home. While on patrol at night, he gets to know a young Ukrainian woman who fled her home country when the war broke out. He wants to protect her, while his friend, the “old security guard”, radios to him from an abandoned Russian barrack night after night. A woman from the train cleaning service drinks in a train station bar after her night shift. There, she meets a hairdresser. The two of them become friends and spend many nights together in the station. Every night, her desire grows even greater for this woman who is exactly as lonely as she is.
Production Design
Una pandemia viral de muertos vivientes ha arrasado toda Alemania salvo dos ciudades. Dos supervivientes, Vivi (Gro Swantje Kohlhof) y Maja (Maja Lehrer) consiguen subir al tren que les ha de llevar al refugio en el que supuestamente podrán rehacer sus vidas. Sin embargo, el tren se detiene a medio camino dejándolas expuestas en el denominado "corazón verde" de Alemania, Thuringia, por lo que no les queda otro remedio avanzar a pie. Por el camino forjan un vínculo entre ambas que se convierte en su mejor herramienta para intentar sobrevivir al caos en el que se ven inmersas.
Production Design
En el año 2011, Adolf Hitler se despierta en Berlín, sin memoria de nada sucedido tras el año 1945. Sin casa y sin recursos, Hitler comienza a reinterpretar la Alemania que ve en pleno siglo XXI desde su perspectiva nazi... Adaptación de la novela de Timur Vermes, que plantea la hipótesis, en formato de falso documental -similar a "Borat"-, de qué ocurriría si Hitler hubiera sobrevivido.
Production Design
La joven Helen Memel de 18 años tiene predilección por usar verduras para la masturbación y opina que la higiene corporal está sobrevalorada. Provoca a los demás pronunciando las palabras que ellos ni en sueños se atreverían a enunciar. Los padres de Helen están divorciados y nada la haría más feliz que verlos juntos de nuevo. Solamente con su mejor amiga Corinna se siente arropada, pues juntas rompen muchos tabúes sociales. Un día, al depilarse en la zona íntima, se lastima accidentalmente y tiene que ingresar al hospital. El médico encargado del caso, Prof. Notz, la considera un caso excepcional y causa revuelo en el hospital por su desparpajo y su sinceridad.
Production Design
The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.
