Vladas Naudžius

The story of the film is set in a coastal town along the Mediterranean sea. Here is a popular tourist attraction „Balcon de Europa”. Like from the balkony we are observing a mini model of our world, where the routine of one person take place in the background of massive feasts.

The film DAYMOHK tells the story of Chechen dance star and choreographer Ramzan Ahmadov, whose dance group Daymohk has found refuge with Chechnya’s current president Kadyrov. Momentarily postponing the extinction of this age-old folk dance. But the sacrifice this move takes, is great: in an attempt to save his country’s tradition, Ramzan collaborates with the authorities and sacrifices what he loves the most.

This film is a triptych with three stories, involving three characters. They live in different parts of Europe: Western Europe -Catalonia (Spain); Eastern Europe -Lithuania; and in the new Europe -Georgia (Akhazia). They have experienced, in different parts of the 20Th century, civil wars and dictatorships. They share the same fate: they stayed where they were born. This film is about people who decide to do nothing in times of war, oppression and occupation. They choose a life amidst the ruins of their past. Even when this choice leads to loneliness: living a dream, not a reality. Alone, between the graves of their loved ones, they spend their last days. They have frozen their lives by protecting themselves from the outside world.

1961. Father and daughter, separated during World War II, are trying to meet in Berlin. He comes to Berlin from Soviet Lithuania, she comes from the USA. Even if the Berlin Wall has not been built yet, the Cold War is coming close to its apogee. Political and geographical situation, that seemed to be favorable in the beginning, turns out to be deceptive. After his arrival, the father is looked after by KGB intelligence agents. They, using him as bait, are trying to lure the daughter to the east side. Affected by the citie's atmospehere that's pervated with distrust, she is afraid to cross the West Berlin boundary. Trying to save each other from the possible trap, father and daughter are ready to give up the idea of the so much desired meeting...

Ron has lost his job and watched his family fall apart. He spends his days at the club of his childhood friend, Adi, where he plays cards for money. It is springtime. He meets Dina, an old friend of Adi. They quickly become close, start playing as a team, and move in together. One evening, Ron loses all his money at the tables, gets drunk and is thrown out by Adi’s bodyguards. Dina takes advantage of the turmoil to steal from Adi. She convinces Ron to skip town. The two hide out in a fishing village. It is autumn. Ron and Dina discover that they know nothing about each another. They are strangers who can’t so much as look into each other’s eyes much less tell each other the truth.

Warcraft III is the most popular real-time strategy computer game, thrilling over 2.5 million North Americans and 10 million people worldwide everyday. The game creates an alternate universe, where players challenge each other with a mythically-charged online world of humans, orcs, the undead, knights, and elves. In Beyond the Game, we meet - in real life and within the game - two of the game's leading figures, known as Grubby and Sky. Acclaimed filmmaker Jos de Putter tracks these Kasparovs of a new generation and a new game across the world all the way to the world championships in Seattle. A fascinating, surprising, and genuinely touching portrait, Beyond the Game is a study of, and participation in, the reformation of our communities in the internet age.

Chechnya's struggle for independence, as seen through the eyes of three friends who grew up in the Chechen capital of Grozny.

Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.

A woman in her forties tries to find her own place in life, having experienced many personal trials.

Un estudio, principalmente cronológico, de la vida de Nick Drake (1948-1974). Gabrielle, su hermana mayor, nos cuenta el nacimiento de su hermano en Birmania, la infancia en Warwickshire, la vida en Cambridge y en Londres, y luego de regreso a la casa de sus padres en Tanworth. Sus padres describen sus hábitos y personalidad. Dos amigos y el productor, arreglista, ingeniero de sonido y fotógrafo por sus tres álbumes comentan. Su madre, músico y poeta, es una influencia temprana. Su estilo popular tranquilo hizo que su única gira fuera un desastre. Su falta de éxito y su retirada gradual terminan con su muerte a los 26 años. Once de sus grabaciones se reproducen en la banda sonora, generalmente cuando vemos su habitación, una ciudad o el campo de Warwickshire.

Two young men leave a neglected but cozy native nook for a strange seaport town Kenigsberg. There they meet two girls the outsiders like themselves. Any attempt to find a normal human contact leads to misunderstanding. Or perhaps they are also lonely and unhappy. The realities, provoking a forced individualism melt in the atmosphere of the town, on which there lies a seal of historical and human cataclysms.

The first autumn snow is falling. At the same time a man passes away. Death comes with the beginning of winter.

The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives.