Djufri Tanissan

Películas

Joe Turun ke Desa
Art Direction
City students come to the village for KKN with all their arrogance and pretentiousness, led by a fat student named Joe (Didi Petet). Many problems arise, starting from Budi (James Lapian) and Imam (Leroy Oesmani) who are not doing KKN well, but instead competing for a beautiful village flower named Neneng (Deasy Ratnasari). Likewise with Pinky (Meriam Bellina) and May (Sylvana Herman) who went down to the village as if they were going to shop at an elite shop. Their arrival also made the village hoodlums feel angry, so that the KKN activities were disturbed.
Irisan-irisan Hati
Art Direction
Even though he is not a "left wing" student, Nurhadi, nicknamed Hadi, insists on becoming a volunteer in the fight against Malaysia. Wati, his lover, tries to stop him, but fails. She pretends to be pregnant so that Hadi marries her. But Hadi still goes to Malaysia. Hadi’s group is detected by a Malaysian patrol, when they are about to land in Malaysia, which leads to a firefight. Everyone dies except Hadi, who is found unconscious by Latifah at the beach. Hadi is taken care of by Latifah and his father, Somad. He claims that he is a fisherman who has been stranded and is named Mohamad Noor. The confrontation between Indonesia and Malaysia then ends. Wati still believes that her husband is alive and goes to Malaysia to find him. She finds Hadi already married to a pregnant Latifah. Wati goes home in disappointment.
Djakarta 1966
Art Direction
The film chronologically depicts the birth of the Eleventh March Warrant (Supersemar) in 1966. In an increasingly critical situation, Soekarno gives out authority in the form of Supersemar.
Motherless Children
Art Direction
After his wife passes away, the ailing Akbar marries Tina, a widow. Akbar’s illness makes him lose his job so Tina has to work in a garment factory. Akbar’s effort to find a job is fruitless and he passes away shortly after. His three children Mimi, Memet, and Ayu cannot stand their stepmother’s fickleness. They leave quietly to find the family of their biological mother. This is not easy since they don’t have her address. They work at any job to survive - housemaid, shoe shiner, parking boy etc. One day they meet John who buys and sells used newspapers. Mimi and Memet are given a small business of selling ice and pastries. Then Memed accidently takes the wrong train but fortunately, a rich man adopts him. However, Memed returns home as he misses his younger siblings. The reunion is short since Ayu passes away.
Love Lesson
Art Direction
Students who come to Yogyakarta to study, also have their first taste of love and sex. Three friends, Benny, Lesmono, and Larso find this out for themselves. Benny, a ladies’ man, introduces his friends to prostitution. Lesmono is secretly in love with Indri, but she falls into the hands of Benny. Benny, who takes life very lightly, manages to smuggle Indri into his room in the lodging house. When he goes home to Jakarta, Indri is anxious because she misses her period. Lesmono helps her to find a shaman who can perform an abortion. But when she goes to see a doctor, she finds out that she is not pregnant after all. Lesmono hopes to get Indri back but his hopes vanish when Benny returns and Indri goes back to him. Attempting to represent the teenagers’ psychological state in relation to love and sex; the film only manages to be jokey and shallow.
Sentuhan Cinta
Art Direction
Nonon, a prostitute, has no other career path when her father stops working, and her mother's illness require an expensive surgery.
Laila Majenun
Art Direction
A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.
Angkara Murka
Art Direction
Dulkafar, leaves his hometown for three and a half years after his parents are murdered, and has now returned for vengeance. With his whip of fire, he defeats criminals while searching for the murderer of his parents. He also disguises himself as a “buaya Keroncong” or an expert singer in Keroncong music. His efforts finally pay off when he finds a woman wearing his mother’s necklace.