Axel Krygier

Una tragedia de venganza en la que los hijos pagan las faltas de sus padres. A partir del cruce casual entre dos internos de una colonia penitenciaria juvenil se desata una madeja que conducirá a un doble desenlace: una venganza masticada durante siete años y la libertad.

Alfredo Arias is an Argentinian artist whose nephew decides to follow him around through one year of work to study his creations and make this documentary.

Juan conoce a Luciana en el peor momento de su vida. Construyen su relación de manera atípica: pasan el verano en Badur Hogar elaborando una serie de mentiras que, inesperadamente, los llevarán a enfrentar sus verdades.

Two years in a clown school. Against all odds and trends, learning how to make people laugh out at the human condition.

Las vacaciones de verano en los años 70. Lalo y Bruno son adolescentes haciendo nada en días llenos de nada. Pero en una tarde calurosa y húmeda, y sin pedir permiso, llega Lisa rompiendo más de la letargy de la ciudad. Treinta años más tarde, Lisa vuelva a interferir en la vida de estos dos adultos.

Four woman of different generations. Their bodies and faces confronted with a tender and ruthless camera. Explicit and implicit movements; intimacy, shyness and extravagance in a mysterious choreography. A magnifying glass that explores and amplifies their moods, and silences: a shared loneliness.

Manuel is a lonely young man of upper middle class who lives in Buenos Aires with his mother. Due to a fortuitous circumstance, one day he discovers that his father, whom he does not know and whom he supposes living abroad, is in the country. He decides to go and look for him and on his motorcycle starts a long way south through Patagonia.

Manuel is a lonely young man of upper middle class who lives in Buenos Aires with his mother. Due to a fortuitous circumstance, one day he discovers that his father, whom he does not know and whom he supposes living abroad, is in the country. He decides to go and look for him and on his motorcycle starts a long way south through Patagonia.

Pedro, a Falklands veteran, cannot forget the days when he was in the trenches, nor can he forget Raúl, his best friend, who stayed forever in that desolate place of nightmares.

El tema central es la censura, examinada mediante testimonios y documentos de época. El film alude a la propaganda que el último régimen militar en Argentina hacía en avisos publicitarios,cánticos agradecidos y exhibiciones televisivas de sus jerarcas, que bien recuerdan el uso de los medios visuales y de audio en la Alemania nazi y en otras dictaduras.