Gordon Quinn

Takes audiences behind the scenes of the new golden age of children’s picture books —a time when all children can see characters who look like them on the page; a time when creators come from diverse communities and backgrounds; and a time when instead of keeping the hard stuff out of stories for children, we put it in and provide context and counternarrative.

Greener Pastures captures the day-to-day lives of four small, Midwestern, multigenerational family farms over the course of three years. Through an intimate, observational lens, we examine various farm stressors, policies, and politics that farmers must maneuver to survive, connecting the dots between mental health, industrialization, food production, and climate change. It is a story of perseverance, patience, and determination that tackles nothing less than the future of farming in America.

At age 10, aspiring pianist Norman Malone is paralyzed on his right side after being attacked by his father. Over the next several decades he masters the left-hand repertoire in secret, before a chance discovery of his talent leads him towards making his concert debut. Aged 78, he will perform the greatest work in the canon: Ravel’s Piano Concerto for the Left Hand.

In this program, director Bing Liu, executive producer Gordon Quinn, and producer Diane Quon discuss the conception of Minding the Gap and its evolution. The program features separated interviews that were conducted in 2020.

Told through the lens of Janaé and Bella, two fierce abolitionist leaders, Unapologetic is a deep look into the Movement for Black Lives, from the police murder of Rekia Boyd to the election of Mayor Lori Lightfoot.

In the heart of the American Midwest, three women take on entrenched political systems in their fight to reshape local politics on their own terms.

Yingying Zhang, a 26-year-old Chinese student, comes to the U.S. to study. In her detailed and beautiful diaries, the aspiring young scientist and teacher is full of optimism, hoping to also be married and a mother someday. Within weeks of her arrival, Yingying disappears from the campus. Through exclusive access to Yingying’s family and boyfriend, Finding Yingying closely follows their journey as they search to unravel the mystery of her disappearance and seek justice for their daughter while navigating a strange, foreign country. But most of all, Finding Yingying is the story of who Yingying was: a talented young woman loved by her family and friends.

Filmmaker Judith Helfand's searing investigation into the politics of “disaster” – by way of the deadly 1995 Chicago heat wave, in which 739 residents perished (mostly Black and living in the city’s poorest neighborhoods).

Tres jóvenes se unen para escapar de sus volátiles familias en su ciudad natal de Rust Belt. A medida que se enfrentan a responsabilidades adultas, la amistad de una década se ve amenazada por inesperadas revelaciones a través de las cuales exploran todo tipo de injusticias sociales

Raising Bertie is a longitudinal documentary feature following three young African American boys over the course of six years as they grow into adulthood in Bertie County, a rural African American-led community in Eastern North Carolina. Through the intimate portrayal of these boys, this powerful vérité film offers a rare in-depth look at the issues facing America's rural youth and the complex relationships between generational poverty, educational equity, and race. The evocative result is an experience that encourages us to recognize the value and complexity in lives all too often ignored.

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

Unbroken Glass is a documentary about filmmaker Dinesh Sabu's journey to understand his parents, who died 20 years ago when he was six years old.

On October 22, 1963, more than 250,000 students boycotted the Chicago Public Schools to protest racial segregation. Many marched through the city calling for the resignation of School Superintendent Benjamin Willis, who placed trailers, dubbed ‘Willis Wagons,’ on playgrounds and parking lots of overcrowded black schools rather than let them enroll in nearby white schools. Combining unseen archival 16mm footage of the march shot by Kartemquin founder Gordon Quinn with the participants’ reflections today, ’63 Boycott connects the forgotten story of one of the largest northern civil rights demonstrations to contemporary issues around race, education, school closings, and youth activism.

A coming-of-(old)-age story about Peter Anton, an elderly "outsider" artist living in isolated and crippling conditions whose world changes when two filmmakers discover his work and storied past. Shot over eight years, ALMOST THERE documents Anton's first major exhibition and how the controversy it generates forces him to leave his childhood home. Each layer revealed reflects on the intersections of social norms, elder care, and artistic expression.

La sorprendente y entretenida vida del célebre crítico de cine y comentarista social Roger Ebert (1942-2013): sus primeros días como un despreocupado soltero y ganador del Premio Pulitzer; su célebre y polémica asociación con Gene Siskel; su matrimonio, que cambió su vida; y su valiente y trascendental batalla contra el cáncer.

The Violence Interrupters es un grupo de ex-pandilleros de Chicago que han decidido combatir la violencia en la que ellos mismos estuvieron involucrados, y que han demostrado ser mucho más eficientes que los cuerpos policiacos. El director Steve James se dedicó a seguir a algunos de estos jóvenes, haciendo una bitácora de sus acciones, de lo que resultó el documental The Interrupters. (FILMAFFINITY)

A Good Man follows acclaimed director/choreographer Bill T. Jones for two tumultuous years, as he tackles the most ambitious work of his career, an original dance-theater piece in honor of Abraham Lincoln's Bicentennial.

Sonia Reich- who survived the Holocaust as a child by running and hiding, suddenly believes that she is being hunted again, 60 years later.

At 31, filmmaker Joanna Rudnick faces an impossible decision: remove her breasts and ovaries or risk incredible odds of developing cancer. Armed with a genetic test result that leaves her vulnerable and confused, she balances dreams of having her own children with the unnerving reality that she is risking her life by holding on to her fertility.

At 31, filmmaker Joanna Rudnick faces an impossible decision: remove her breasts and ovaries or risk incredible odds of developing cancer. Armed with a genetic test result that leaves her vulnerable and confused, she balances dreams of having her own children with the unnerving reality that she is risking her life by holding on to her fertility.

The work and times of American artist, Leon Golub from 1985 to his death in 2004, taking us from images of interrogations and torture to the ironies and dark humor of old-age.

The New Americans follows a diverse group of immigrants and refugees as they leave their home and families behind and learn what it means to be new Americans in the 21st century.

For two years, filmmaker Maria Finitzo followed five strong young women between the ages of 13 and 17. Unlike the myriad reports, books and "specials" that focus on young women as passive and powerless, 5 Girls explores the ways these girls discover the resources necessary to successfully navigate the rocky waters of adolescence. It focuses on the positive ways girls learn to adapt to challenge in their lives by understanding and exercising choices, by believing in their strength when others do not and by resisting powerful cultural messages, which urge them to be silent.

For two years, filmmaker Maria Finitzo followed five strong young women between the ages of 13 and 17. Unlike the myriad reports, books and "specials" that focus on young women as passive and powerless, 5 Girls explores the ways these girls discover the resources necessary to successfully navigate the rocky waters of adolescence. It focuses on the positive ways girls learn to adapt to challenge in their lives by understanding and exercising choices, by believing in their strength when others do not and by resisting powerful cultural messages, which urge them to be silent.

For two years, filmmaker Maria Finitzo followed five strong young women between the ages of 13 and 17. Unlike the myriad reports, books and "specials" that focus on young women as passive and powerless, 5 Girls explores the ways these girls discover the resources necessary to successfully navigate the rocky waters of adolescence. It focuses on the positive ways girls learn to adapt to challenge in their lives by understanding and exercising choices, by believing in their strength when others do not and by resisting powerful cultural messages, which urge them to be silent.

An educational companion piece to Hoop Dreams, Higher Goals features NBA star Isiah Thomas in a fast-paced, entertaining PBS special that encourages young athletes to put their dreams of professional sports in perspective and focus on getting an education.

Leon Golub's massive canvasses depict scenes most of us would prefer not to see - mercenary killings, torture, and death squads. Golub offers not simply a profile of a painter with a political conscience, but an investigation into the power of the artist to reflect our times and to change the way we think about our world.

In 1981-2, the Kartemquin filmmakers returned to the Taylor Chain plant to show labor and management working together against the odds, trying to save the plant from becoming the latest victim of anti-union legislation and the globalization of cheap, exploitable labor. A sequel to Taylor Chain I: A Story in a Union Local.

Taylor Chain I tells the gritty realities of a seven-week strike at a small Indiana chain factory during 1973-74. Volatile union meetings and tension-filled interactions on the picket line provide an inside view of the tensions and conflicts inherent to labor negotiations. Due to a lack of funds and a fire at Kartemquin which necessitated a re-edit of the film, the film was not released until 1980. Filming then began a year later on Taylor Chain II: A Story of Collective Bargaining.

UE/Wells follows an organizing drive by the United Electrical Workers Union at the Wells Foundry in Chicago. The multi-ethnic work force of Polish, Arab, Jewish, Hispanic and African American men and women unite together despite the company's efforts to use race as a wedge to divide them.

Made by Kartemquin and a rank-and-file steel workers caucus, the film documents the opposition of the rank-and-file to the no-strike agreement between Steelworkers President I.W. Abel and the ten major steel companies, made without a vote by the membership of the union. Featuring Staughton Lynd.

Winnie, the daughter of a steel worker and a teacher, lives in Gage Park, a Chicago neighborhood that is changing from white to black. Her family struggles with racism, inflation and a threatened strike, as Winnie learns what it means to grow up white, working class, and female.

Now We Live on Clifton follows 10 year old Pam Taylor and her 12 year old brother Scott around their multiracial West Lincoln Park neighborhood. The kids worry that they'll be forced out of the neighborhood they grew up in by the gentrification following the expansion of DePaul University.

Disbelief, shock, hostility and superstition confronted the wife of one of the filmmakers when she decided to give birth without pain medication using the Lamaze method of childbirth. Her tale is about trusting oneself and accepting responsibility even when it means rejecting popular beliefs and establishment authority.

While touring the U.S. in a brightly painted school bus, the psychedelic rock collective Anonymous Artists of America stops to hold a performance at an alma mater, the University of Chicago. Inspired by LSD, the group once opened for the Grateful Dead and played at Ken Kesey’s infamous Acid Test Graduation. The band also featured one of the first analog synthesizers designed by Don Buchla. Kartemquin's Gordon Quinn is behind the camera, and in the audience are Jerry Temaner and his family. (Kartemquin)

In 1968, striking students at the University of Chicago occupied an administration building. A year later, two expelled young women were asked by their former classmates to talk about the experience as a class project. The women confront the students about their convictions and how far they are willing to go to defend their values.

Two nuns travel across Chicago asking people the question, "Are you happy?"

In this cinema-verite documentary, a teenage youth group called Thumbs Down decides "to bring Christ to their neighborhood" by holding an anti-war Mass at their conservative Chicago parish. Neither militants nor hippies, they simply believe that Christianity means social action and concern with issues. They present this belief to the community and the confrontation reveals the deepening crisis of communication between the young Christians and their parents, priest, and neighbors.

A parish youth group in a lower middle-class Chicago neighborhood discusses parental authority, what growing up means and the difficulties of communicating with their parents.

When the wife of one of the filmmakers decides to give birth without pain medication using the Lamaze method of childbirth - and coached by her own husband - she is confronted with disbelief, superstition and downright hostility. In order to find a doctor who will respect their wishes, the parent-to-be have to make arrangements with a hospital in Wisconsin and race over the state line when the baby comes. This frank and sensitive cinema verity documentary follows the young couple as they learn about natural childbirth, discuss their plans with friends and medical staff, and experience the actual labor and birth of their fist child, Marco