Álvaro Rodríguez Sánchez

Películas

Días de luz
Director of Photography
This beautifully integrated, multi-threaded narrative seamlessly interweaves six stories set in radically different locations across Central America, ranging from the tropical forests of Guatemala to the skyscrapers of Panama City. When a solar storm leaves the region without power, myriad dramas unfold over the course of five days during which all conveniences of modernity are stripped away. In Costa Rica, a pastor and his daughter worry for the future of their church, while in El Salvador, a grandmother and grandson make an arduous journey into the city. A husband and wife reconnect in Honduras, as a young couple nurses a mysterious stranger back to health in Guatemala. Meanwhile, in Nicaragua, a young woman prepares for her quinceañera and in Panama, a housekeeper grows exasperated with her demanding employer.
Los gigantes no existen
Director of Photography
Guatemala, en los años 80. Los peores días de la Guerra Civil. Andrés tiene 9 años. Vive con Pedro González, uno de los hombres que masacró a todas las mujeres y niños de su pueblo. Andrés ha sobrevivido, pero tiene miedo. La esposa de Pedro, María, también está asustada, teme salir y teme perder a Andrés, a quien considera como "su nuevo hijo". Hasta Pedro tiene miedo, tiene miedo de sí mismo y de lo que el Ejército lo obliga a hacer. A Andrés le gustaría escaparse, pero también quiere quedarse en su nueva familia, hasta que aparezca su hermana.
Los ofendidos
Director of Photography
When I turned 33 years-old, my mother told me that my father, during the Salvadorian Civil War, had been captured and tortured for 33 days by the National Police. Two years later I had the courage to ask him and other men and women about those days. These people do not ask for revenge, all that they ask is for the truth to be known.
Where the Sun is Born
Cinematography
The story of the Maya People through four stories which allude to important moments in the in its history over the course of the last half millennium. The central protagonist in all these stories is a young woman named Maya who witnesses the invasion of her homeland and must run away to survive. Then living a nomadic existence as a refugee across the centuries she experiences the sufferings of her people resulting from the loss of her ancestral lands and increasingly her cultural traditions.
Distancia
Cinematography
Tomas' 3-year-old daughter was kidnapped by soldiers during the war in Guatemala, and 20 years later, he learns that she is living only 150 miles away.
Toque de Queda
Director of Photography
In Guatemala, violence is contagious. The neighbors of Villas de La Esperanza, in fear of an eventual invasion of those infected by violence, arm themselves and patrol nights, risking their lives for the safety of their families. But battling violence with violence only spreads the contagion, and the neighbors will realise that the greatest danger is not what lurks outside their secure gated community. The real danger lies within. In Guatemala violence is contagious, and we are all infected.
Oda a la piña
Director of Photography