Ilze Kasa

It’s 1919. The war is raging in Latvia and bodies pile high. A young rifleman’s (Thomas, 30) cold body is placed on a floor inside a mysterious sculptors' studio. Thomas wakes up with his head locked inside a cast and tries to find a way out from the dark room, but soon enough realizes that he is not the only one, who has woken up. The Ghost mother, a pagan goddess of death, tries to pull the young man into the afterlife. Meanwhile, the sculptor places Thomas’s death mask next to the others.

A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

Imants is a security guard at a small town store. He is always nice, honest and truthful and would not let anything happen to the store and to the people that are working there, until one night when his honesty and truthfulness are set to a test. He has been given a choice – stay and be dishonest with himself or leave and open has hart to love. The choice seems easy, but it takes some courage to step out of a place where you have been for ages.

The fancy car thief Zigis goes stealing again, and an incidental opera performance viewer becomes the victim. Zigis does his job perfectly, but the delivery of the vehicle is halted by Zoja, who has fallen down near her house and is now on the road, laying there, helplessly mumbling. An unwilling offering of first aid takes Zigis to a house surrounded by trees, where, between passion and secrets, everyone tries to gain more than lose.