Pedro Haldemann

Amine Diare Conde fled from Guinea to Europe at the age of fifteen. His voluntary work makes the 22-year-old the best-known asylum seeker in Switzerland.

After the death of his mother, Peter K. is threatened with eviction from her home where he cared for her. He struggles to defend his refuge from his estranged sister, the city government, and finally, armed po- lice. His conspiracy theories and writings spiral into a violent reality, making him a renegade celebrity. His growing fear and solitude bring on childhood nightmares, while his court battle reveals a dark family past.

The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

Europe is not a place, but an idea: Europa is a woman, and she is Greek; hers is a history so long, so full of wonders and horrors, of successes and failures, that the moral values that governed her existence have ended up changing radically over the centuries, to the point of losing any meaning and finally disappearing.

Europe is not a place, but an idea: Europa is a woman, and she is Greek; hers is a history so long, so full of wonders and horrors, of successes and failures, that the moral values that governed her existence have ended up changing radically over the centuries, to the point of losing any meaning and finally disappearing.

«Grozny Blues» follows a few people around Grozny, the capital of war-torn Chechnya where daily life is defined by political repression, constricting customs, forced Islamification and the failure to come to terms with recent history. The film revolves around four women who have been fighting for human rights under worsening conditions for many years but get more and more disillusioned with the situation in Putin’s Russia. The building where they work is also home to a Blues Club that is frequented by a group of young people. Having only vague memories of the Chechen wars in the 90s, they try to make sense of the strange things that are happening in their country. In linking the personal and intimate to the political, Nicola Bellucci shows in a dramatic and yet very poetic way what it means to live in a divided society that navigates a no-man’s land between war and peace, repression and freedom, archaic traditions and modern life.

'From One Day To The Next' follows four elderly people through their everyday lives, observing how they cope with a gradual loss of autonomy.

In their very own ways, scientists, artists and wandering souls search in the inhospitable and mythical desert landscape for the meaning of life.