Alberto Dexeus

Películas

Carta a mi madre para mi hijo
Assistant Editor
Carla está embarazada y desnuda, igual que en las fotos donde su madre posa embarazada de la misma Carla. La luz del sol se cuela a través de las ventanas. Vemos ráfagas de Super 8 de abuelos, tíos, padres, bisabuelos; sonriendo, cosiendo, recitando poesía. Entonces, vemos crecer a una joven desde los 60 hasta la actualidad, pasando por la década de los 80, cruzando los umbrales de la feminidad y la historia, hasta que se encuentra con Carla embarazada junto al cielo azul de la costa catalana.
todos los días domingos
Voice over
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.
todos los días domingos
Director of Photography
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.
todos los días domingos
Editor
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.
todos los días domingos
Director
Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.
The Perseids
Screenplay
Aragón, España. Después de vivir el divorcio de sus padres, Mar llega en verano a un misterioso pueblo donde queda fascinada por las espeluznantes historias que sobre la Guerra Civil y sus terribles consecuencias relatan los miembros de un grupo de adolescentes que parecen vivir de acuerdo a unas reglas que le son extrañas.
The Perseids
Director
Aragón, España. Después de vivir el divorcio de sus padres, Mar llega en verano a un misterioso pueblo donde queda fascinada por las espeluznantes historias que sobre la Guerra Civil y sus terribles consecuencias relatan los miembros de un grupo de adolescentes que parecen vivir de acuerdo a unas reglas que le son extrañas.