Roberto Andò

Durante un viaje a Sicilia en 1920, Luigi Pirandello conoce a Onofrio Principato y Sebastiano Vella, dos actores que ensayan un nuevo espectáculo con los actores de su dramaturgia amateur. Este encuentro trae grandes sorpresas.

Durante un viaje a Sicilia en 1920, Luigi Pirandello conoce a Onofrio Principato y Sebastiano Vella, dos actores que ensayan un nuevo espectáculo con los actores de su dramaturgia amateur. Este encuentro trae grandes sorpresas.

Durante un viaje a Sicilia en 1920, Luigi Pirandello conoce a Onofrio Principato y Sebastiano Vella, dos actores que ensayan un nuevo espectáculo con los actores de su dramaturgia amateur. Este encuentro trae grandes sorpresas.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

The narrative wanders through Rosi’s films, not in the order they were shot but following the chronology of the historical facts they deal with. The documentary therefore not only narrates Rosi’s work, but also portrays half a century of Italian history.

Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.

Valeria, young secretary of a producer, lives with an eccentric mother and secretly writes for a successful screenwriter, Alessandro. One day, she receives an unusual present from a stranger: it’s the plot of a movie about the mysterious but really-happened theft of a famous Caravaggio’s painting.

Los economistas más importantes del mundo se reúnen en el marco de una reunión del G8 en un hotel de lujo de la costa alemana. Uno de los misteriosos invitados es un monje italiano, invitado por Daniel Rochè, director del Fondo Monetario Internacional. Quiere que el monje le confiese, esa misma noche, en secreto. A la mañana siguiente, Rochè aparece muerto...

Los economistas más importantes del mundo se reúnen en el marco de una reunión del G8 en un hotel de lujo de la costa alemana. Uno de los misteriosos invitados es un monje italiano, invitado por Daniel Rochè, director del Fondo Monetario Internacional. Quiere que el monje le confiese, esa misma noche, en secreto. A la mañana siguiente, Rochè aparece muerto...

Enrico Oliveri, un político en crisis y secretario del principal partido de la oposición que está perdiendo apoyos, abandona sus compromisos y responsabilidades tras ser criticado duramente en un mitin, escondiéndose en Francia, en casa de una amiga. Su ayudante, para salir del apuro ya cada vez con menos crédito intentando justificar su ausencia, decide entonces sustituirlo por su hermano gemelo, un filósofo bipolar recién salido del psiquiátrico. Una auténtica locura que se tornará acierto cuando el electorado vuelva a ver en Enrico, ahora Giovanni, una opción real. Todo ello se deberá a un lenguaje distinto e irónico, que pondrá nuevamente al ficticio Enrico en la cresta de la ola.

Enrico Oliveri, un político en crisis y secretario del principal partido de la oposición que está perdiendo apoyos, abandona sus compromisos y responsabilidades tras ser criticado duramente en un mitin, escondiéndose en Francia, en casa de una amiga. Su ayudante, para salir del apuro ya cada vez con menos crédito intentando justificar su ausencia, decide entonces sustituirlo por su hermano gemelo, un filósofo bipolar recién salido del psiquiátrico. Una auténtica locura que se tornará acierto cuando el electorado vuelva a ver en Enrico, ahora Giovanni, una opción real. Todo ello se deberá a un lenguaje distinto e irónico, que pondrá nuevamente al ficticio Enrico en la cresta de la ola.

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Tras ser testigos del asesinato de su madre hace treinta años, un hombre y su hermana luchan en el día a día de los desafíos de la vida adulta.

Tras ser testigos del asesinato de su madre hace treinta años, un hombre y su hermana luchan en el día a día de los desafíos de la vida adulta.

A mysterious writer is involved in a love affair with his stepson's wife, leading to a web of intrigue and desire.

A mysterious writer is involved in a love affair with his stepson's wife, leading to a web of intrigue and desire.

A documentary looking at the life and films of Francesco Rosi.

Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.

The film is a biography of Giuseppe Tomasi (Bouquet), the prince of Lampedusa, who is the author of Il gattopardo, one of the most influential Italian novel of XX century and is adapted on screen by Visconti, THE LEOPARD (1963, 8/10). Directed by Roberto Andò, a native from Palermo, stars two French cinema icons Bouquet and Moreau (as the princess Licy).

The film is a biography of Giuseppe Tomasi (Bouquet), the prince of Lampedusa, who is the author of Il gattopardo, one of the most influential Italian novel of XX century and is adapted on screen by Visconti, THE LEOPARD (1963, 8/10). Directed by Roberto Andò, a native from Palermo, stars two French cinema icons Bouquet and Moreau (as the princess Licy).

Carmine Bonavia (James Belushi) es un italoamericano que gana las elecciones a la alcaldía de Nueva York gracias a la promesa de legalizar las drogas. Tras la victoria, se casa con Carrie (Mimi Rogers) y van a pasar la luna de miel a Sicilia, la tierra natal De Bonavia. En el hotel conoce a El Príncipe, que vive recluido desde hace años debido a las amenazas de la mafia. En medio de la extraordinaria belleza del paisaje siciliano, Carmine descubre que hay gente que está dispuesta a emplear todo tipo de medios con tal de impedir la legalización de las drogas.