Ivana Pauerová

The life story of an unassuming, modest, yet extremely principled woman is also a dramatic portrait of a time when criticism of the regime and defense of the unjustly prosecuted was punished by imprisonment and constant surveillance from the secret state security. The story also reflects the turning point after the Velvet Revolution, when Dana Němcová briefly entered politics as an active member of the Federal Assembly, or when, in response to the war in the former Yugoslavia, she founded a counselling center for refugees and refugee women in the Czech Republic. In the film, she also meets some of those she helped again after many years.

The life story of an unassuming, modest, yet extremely principled woman is also a dramatic portrait of a time when criticism of the regime and defense of the unjustly prosecuted was punished by imprisonment and constant surveillance from the secret state security. The story also reflects the turning point after the Velvet Revolution, when Dana Němcová briefly entered politics as an active member of the Federal Assembly, or when, in response to the war in the former Yugoslavia, she founded a counselling center for refugees and refugee women in the Czech Republic. In the film, she also meets some of those she helped again after many years.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

Every year, 15,000 Czech fishermen head to Norway to fulfill their desire to fish at sea. Here they experience moments of mostly male camaraderie, which, like the ubiquitous cigarette smoke, revolves around boyish talk over cans of beer and no one is immune to cabin fever. At least this is the case of six friends meeting in a restaurant in Jihlava. And when the legendary halibut start running through the fjords, the plot of this documentary tragicomedy is taken care of - the compulsive need to catch the coveted fish drives not only the six protagonists, but also the plot of the film itself.

Every year, 15,000 Czech fishermen head to Norway to fulfill their desire to fish at sea. Here they experience moments of mostly male camaraderie, which, like the ubiquitous cigarette smoke, revolves around boyish talk over cans of beer and no one is immune to cabin fever. At least this is the case of six friends meeting in a restaurant in Jihlava. And when the legendary halibut start running through the fjords, the plot of this documentary tragicomedy is taken care of - the compulsive need to catch the coveted fish drives not only the six protagonists, but also the plot of the film itself.

When Zdenka, a single woman in Czech Republic, started playing online games with strangers, she didn't know it would change her life. Neither did Tabish, a computer scientist a world away in Pakistan.

1,200 kilometres of snowy landscape to be covered in 12 days. These are the conditions for the Finnmarksløpet sled dog race and Czech husky breeder Jana Henychová is set to participate again.

A story of an extraordinary artist who has unintentionally signed a deal with a devil. Jiří Trnka was one of the biggest Czech artists of the 20th century and one of the founders of the puppet animation. His work demonstrated the world that communist society can provide better conditions for extraordinary artistic creations. The ideological clash between West and East didn’t leave children and their stories apart from their struggle in ideological and political positions.

When the junior ice hockey team from the small town of Náchod, in the Czech Republic, sets off in a bus to Morocco to play the away game in an exchange programme, the players and their coach expect an easy victory and a cultural shock: “bring ear plugs”, the coach suggests them with a touch of undisguised condescendence, so as not to hear the call to prayer early in the morning. Both on and off the ice, Rozálie Kohoutová and Tomáš Bojar’s camera focuses on a few teenagers and their exchanges, simultaneously funny and cruel, in a clumsy English.

Un conmovedor relato, en sus propias palabras, de la vida personal y la obra del brillante cineasta checo Miloš Forman (1932-2018): su trágica infancia, su gran contribución al movimiento cultural conocido como la Nueva Ola checa, su exilio en París, sus difíciles días en Nueva York, su ascenso al estrellato en Hollywood; toda una vida al servicio del cine.

Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?

Andy, Petra y Bára. Tres vidas que se reúnen en la penitenciaría de Světlá nad Sazavou. Ahí se tiene un área para que las madres puedan tener a sus hijos con ellas mientras cumplen sus sentencias. El vínculo de la maternidad puede ser la motivación más poderosa para llevar una vida mejor.

Through unique artistic approach, the director reveals the world of autism - bringing the audience closer to the main characters - talented and creative children with a fascinating way of thinking.

The Karlovy Vary International Film Festival is one of the world’s oldest and most respected. Film Spa was made to celebrate its belated 50th edition in 2015 in its 69th year – belated because from 1959 to 1993 it was forced to alternate with the festival in Moscow.