Self
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
A portrait of the evolution of theater in the 20th century and a deep reflection on the art of acting through the career of Paulo Autran (1922-2007), one of the greatest actors in Brazil.
Laura
Adelaide
Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.
Atriz de Teatro
Brasil, marzo de 1990. El plan económico del gobierno brasileño de Collor empuja al país al caos. La vida de Paco, un joven estudiante paulista, se desmorona con la muerte de su madre y acaba con su sueño de ser actor. Paco decide abandonar su país y marcharse a España, la tierra de su madre, aceptando llevar antes a Lisboa un objeto de contrabando. Allí conoce a Álex, el amor y el peligro de morir...
"They are combinations of fragments. There are no stories, it is possible to mount these fragments in many ways. »Cine-eye or cine-voice-eye. The text of the Galaxies goes straight to the image. »A text rewritten for the eye» (H. de Campos).
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
Landa Rosebud
The meeting between the young Brazilian author Oswald de Andrade, 18 years old, and the famous American ballerina Isadora Duncan, 40 years old, as she traveled through Brazil.
