Editor
The fringes of Iranian society can be a lonely place, especially if you are a teenage girl with few resources to fall back on. Finding Home follows four girls striving to pull themselves out of the margins by attending a one-of-kind rehabilitation center in uptown Tehran. Forget about the Iran that you've seen before. With a virtually invisible camera, the girls of Finding Home take us on a never-before-seen tour of the underclass of Iran with their brave and defiant stories: Samira struggles to overcome forced drug addiction; Mitra harnesses abandonment into her creative writing; Sussan teeters on a dangerous ledge after years of sexual abuse; and Nazila burgeons out of her hatred with her blazing rap music.
Cinematography
The fringes of Iranian society can be a lonely place, especially if you are a teenage girl with few resources to fall back on. Finding Home follows four girls striving to pull themselves out of the margins by attending a one-of-kind rehabilitation center in uptown Tehran. Forget about the Iran that you've seen before. With a virtually invisible camera, the girls of Finding Home take us on a never-before-seen tour of the underclass of Iran with their brave and defiant stories: Samira struggles to overcome forced drug addiction; Mitra harnesses abandonment into her creative writing; Sussan teeters on a dangerous ledge after years of sexual abuse; and Nazila burgeons out of her hatred with her blazing rap music.
Director
The fringes of Iranian society can be a lonely place, especially if you are a teenage girl with few resources to fall back on. Finding Home follows four girls striving to pull themselves out of the margins by attending a one-of-kind rehabilitation center in uptown Tehran. Forget about the Iran that you've seen before. With a virtually invisible camera, the girls of Finding Home take us on a never-before-seen tour of the underclass of Iran with their brave and defiant stories: Samira struggles to overcome forced drug addiction; Mitra harnesses abandonment into her creative writing; Sussan teeters on a dangerous ledge after years of sexual abuse; and Nazila burgeons out of her hatred with her blazing rap music.
Writer
Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.
Director
Since the Islamic Revolution in Iran, capital punishment is carried out according to Islamic law, which gives the family of the victim ownership of the offender's life. Day Break - based on a compilation of true stories and shot inside Tehran's century-old prison - revolves around the imminent execution of Mansour, a man found guilty of murder. When the family of the victim repeatedly fails to show up on the appointed day, Mansour's execution is postponed again and again. Stuck inside the purgatory of his own mind, he waits as time passes on without him, caught between life and death, retribution and forgiveness.
Director
Mehran Karemi Nasseri, who now goes by the name "Sir Alfred", has been living in the Charles de Gaulle Airport in Paris, France. For the past twelve years he has been waiting for the document that would allow him to leave. Unlike the story that has been told in the world press of a man trapped in the underground terminals of an airport, dubbed the, "strangest case in immigration history", this documentary examines the life of a man whose only aspiration is to be somebody else.
