Pjoni

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.

The northernmost city in the world, Longyearbyen, is the most populated settlement in the Norwegian archipelago of Svalbard. A Czech social anthropologist attempts to make a new home for herself here with her family whilst also researching social transformations in the local community. The loss of jobs in the mining industry, as well as the complicated relationship between Norwegian natives, foreign immigrants, and tourists all contribute to the city's change of atmosphere whilst the surrounding snowy mountains melt and avalanches threaten the daily existence of the local population. This portrait of the microcosm of an ice town is a raw glimpse into the contemporary globalized world.

Una joven regresa a su aldea natal en las montañas, buscando respuestas sobre su dramática infancia. Pero a medida que intenta desvelar la verdad, las viejas leyendas empiezan a invadir la realidad moderna, llevando a los aldeanos a acusarla de brujería.

The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.

From his truck, rising online star Štefan Pongo streams his political rants and creates social media movements that go viral, in support of Romani people across Europe.

Blanka is a woman in her 50s, alone in her apartment and in her life. Matuš, a young and motivated activist, hopes to become a councillor of his municipality despite his lack of marketing savvy. A cool real estate agent sells the notion of a happy life through Bratislava apartments. Two collegial road workers paint road markings and when their shift is over, they drink beer in their boarding room and ponder the indifference of the city inhabitants. Danko, a queer music composer, lives in the city centre with his mother in a modest flat. He takes long walks, listening to urban sounds, trying to capture the rhythm around him. Lines is a visual essay, a tangle of stories and observations, set in the exemplary post-socialist city of Bratislava, a place experiencing dynamic transformation.

El nuevo documental de los directores checos Vít Klusák y Barbora Chalupová ("Daliborek, el youtuber nazi") explora el oscuro mundo de los abusos sexuales a menores en línea y hace de un experimento una intervención social. Tres jóvenes actrices fingen ser menores de edad y ven qué sucede cuando se registran en una popular sala de chat en línea. Un experimento revelador que muestra cómo esta forma moderna de acoso sexual se ha convertido en una amenaza demasiado común y muy extendida.

Story of the car accident told from different perspectives. Everyone has his part of responsibility but some have taken a bigger piece.