Expressed by movements and metaphors without language, the story’s plot develops dreamlike interactions between simple human beings. Taking up the invitation to look into the made up odd-world and its fascinating odd-forest, the spectator gets to meet the naive, childish, but in their plainness still wonderful, inhabitants. Boy meets girl. Girl meets another boy. Boy meets another boy. And girl meets another girl. But did we try all possibilities?
Hana, Bazo, Maja, and David have always been inseparable. But as they approach thirty, their paths begin to diverge. Hana gets married, Bazo goes to work in Canada, and Maja moves in with her boyfriend. In David's life, however, nothing changes, and he himself isn't sure whether or not that's a good thing. He would certainly be better equipped to face his problems among friends rather than in lonely isolation. Using the naturally charismatic David as example, this energetic, subtly ironic film comments on the void that often grows between the world of carefree partying and the settled life of adulthood, a reality that takes some people by surprise.
