Lenja Gathmann

1975, Rosenkreuz Manor. Sigrun starts a new position with the eccentric Baroness Heidenreich. A shared longing binds the two women together: the old lady’s memory contains the secret to Sigrun's true identity; the nurse’s life force holds the key to the future for the Baroness. On the path to self-discovery, Sigrun is confronted with the sinister world of "völkisch" occultism, opening an unearthly abyss in which every moral and principle is tested.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It's a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm - with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira's missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself - and that you can only love if you let go.

Lisa Weber’s portrait of Claudia, who had a son when she was 15 and now lives together with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time and about what happens when seemingly nothing is happening.

The Bora is one of the strongest winds in the world, a force of nature. She forms landscapes and sets elements in motion. It determines everyday life and permeates the minds of the people who live in its sphere of influence.

The Bora is one of the strongest winds in the world, a force of nature. She forms landscapes and sets elements in motion. It determines everyday life and permeates the minds of the people who live in its sphere of influence.

Rebels without a cause in a globalized world. Kevin, David and Dominik, three troubled teenagers who were deemed too difficult to be “re-educated” at home, are shipped off to Romania by the German authorities. There, they live with local families while hoping to go back to Germany as soon as possible. Exiled from their previous lives and country, they try to adapt as well as possible to their new environment.

'Chaos' narrates the story of three women in three different cities. They have given up on life. One lives in Damascus. She has stopped speaking to others entirely, isolating herself in her flat. The other has left Damascus as a result of the war and went to Sweden, where she imprisons herself in her paintings, hoping through them to rid herself of the torments of the past. The third ended up in Vienna and faces an unknown future, like the ghost of a woman who fled Austria after the Second World War. It is a discussion between a woman stuck in Damascus, a second stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior – an impossible conversation.