Gregg Skermann

Anna, Francesco and the eight years old Giorgio can't afford a fancy holiday. Afraid of losing their reputation, they decide to fake the vacation. They hide in their own house and they post on social medias photoshopped pictures of the family at the Bahamas. Inebriated by likes and folowers, the parents forget their son's needs.

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Wherever Toni shows up, even a meat counter turns into a regulars’ table. Ever since the musician chucked his guitar, he lingers through life as a well known grumbler. When a parcel is mistakenly delivered to his door, he gets into his car without further ado, trying to find the right addressee. Already at the first crossroads a seemingly endless odyssey begins to unfold.

It's 10:47 pm on a bus somewhere in a city. A few teenagers are listening to music and talking loudly. The other passengers look languidly out the window or at their cell phones. A drunk man gets in and joins the teenagers; the mood starts to shift.

Anna, the child of Swiss-Korean parents, is torn between her culture and identity. When a strange North Korean man magically appears in her wardrobe, she not only learns more about herself, but also develops a precious friendship.

We enter the film, like we access Gorgona, by the sea. A rock bristling with greenery, surrounded by the dark blue waves of the Mediterranean. On this small island between Tuscany and Corsica, there is an agricultural penal colony. The prisoners held there are free to move around, working the vines, the small pig farm or the vegetable garden surrounding the prison buildings. Here, the relationship to nature is particular and undoubtedly redeeming.

On a full moon night in a center for werewolves in Switzerland, the language barrier might cause some problems...

The film reconstructs the memories of a divorced family with empathy yet merciless precision. An intimate family story emerges during the investigation into the reasons for the separation. Hinging on the subtle and touching testimonies of the family members, the film delves into complex interrelationships. Actors bring the family's memories alive as if they were their own. The result is a chronicle of a family drama, which the real protagonists complement and comment on – a reflection on the mechanisms and dynamics shaping and directing their family life over the years.

In a future where the sea doesn’t exist anymore and where adults imitate things from the past, dozens of children are building sand pies on an artificial beach. Only 12-year-old Estelle looks at a wall on which the sea is painted. Thibaud, her peer, approaches the girl and pretends he can see the things that no longer exist. He takes her to his hiding place and tries to convince her to take a pill that would allow her to see the real sea.

In a future where the sea doesn’t exist anymore and where adults imitate things from the past, dozens of children are building sand pies on an artificial beach. Only 12-year-old Estelle looks at a wall on which the sea is painted. Thibaud, her peer, approaches the girl and pretends he can see the things that no longer exist. He takes her to his hiding place and tries to convince her to take a pill that would allow her to see the real sea.

Architects from Europe, America and China are invited to a Chinese provincial town. Within several months, they are to construct a park in Jinhua, intended to form the centre of a new district of that town. Where green fields now flourish and farmers plough the land, investors will soon flock, followed by new inhabitants and political reforms. But the project ends up being drawn out over years. The euphoria of the early stages runs up against a reality in which torn-open earth and the ambitious hopes of politicians, workers and locals are the only manifest features. The film documents the changes leading to the Jinhua Architecture Park - from the laying of the foundation stone to its final opening. In giving all participants in this process an opportunity to comment.