Azadeh Zandieh

In his costal village, Nemo is an outsider. With his diving suit and the huge helmet he looks different than everybody else and won't fit in. But his life is about to change when he meets Laika, an astronaut.

We gathered to remember the Black german activist Fasia Jansen. Fasia was born in 1929 in Hamburg as the illegimate daughter of white german maiden Eli Jansen and liberian consul Momolu Massaquoi… Having had to witness the suffering of Jewish Women in the Camp of Neuengamme, where Fasia herself had to do forced labour, Fasia dedicated her life to different political struggles. Fasia Jansen was active in women*-, labour-, anti-atom- and peace movements. Her contribution to these movements is an impressive collection of protest songs. Our longing was to relate to Fasia from a Black queer Perspective, to understand her positionality and hence to negotiate ours. We did so by gathering and re-enacting her songs and spirit. Our choir – the Fasia Jansen Ensemble – is a spiritual invocation.

The workers of a self-managed tea factory decide to go against the grain and play by their own rules. The problem is, how can you plan, work and survive in a world driven by ruthless competition? One day at a time, for instance. In a world ruled by profit and dominated by the exploitation of the weaker ones, the film literally offers an alternative set of ways about how to think our future and the means and tools to work for it. It is not an easy job but, as Taste of Hope carefully and precisely shows, there is still a lot that can be done if we change our relationship to production and labor. Instead of making grand gestures or political statements, the filmmaker works with the camera and with a thoughtful editing in order to understand how to weave together new possibilities of communal existence.

The workers of a self-managed tea factory decide to go against the grain and play by their own rules. The problem is, how can you plan, work and survive in a world driven by ruthless competition? One day at a time, for instance. In a world ruled by profit and dominated by the exploitation of the weaker ones, the film literally offers an alternative set of ways about how to think our future and the means and tools to work for it. It is not an easy job but, as Taste of Hope carefully and precisely shows, there is still a lot that can be done if we change our relationship to production and labor. Instead of making grand gestures or political statements, the filmmaker works with the camera and with a thoughtful editing in order to understand how to weave together new possibilities of communal existence.

Janusz, a pawnbroker in his late 40s, is confronted with the sudden death of his estranged wife. To cover up for all his failings, he hires the young prostitute Irena to act as his girlfriend and join him for the funeral. A tale about guilt, abandonment and love.