Cheik Doukouré

Farmer Moussa Sidibé is sent to France by his village in Guinea to buy a new water pump to irrigate the fields of their cooperative. But when he arrives in Paris, half of the money he was given is stolen. He then finds himself in totally unexpected situations, notably among the African undocumented immigrants who occupy a church.

Farmer Moussa Sidibé is sent to France by his village in Guinea to buy a new water pump to irrigate the fields of their cooperative. But when he arrives in Paris, half of the money he was given is stolen. He then finds himself in totally unexpected situations, notably among the African undocumented immigrants who occupy a church.

Paula was a brilliant lawyer, defending the most just causes. One day, a man she had just released from prison coldly murders two children. When she realizes that she was mistaken, Paula feels her precious certainties slipping away. She now lives in the anonymity of the street, rehashing her disgust for the world and for others. Will her meeting with Serge, a social worker, give Paula back her taste for life?

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

The comedy in this lively film barely conceals its darker, more serious undertones as it chronicles a young Algerian's eye-opening introduction to the joys and travails of being an immigrant in Paris. Alilo has left his home to pick up an important suitcase for his employer. Unfortunately, he has lost the Parisian address. Fortunately, his cousin Mok, emigrated there several years before with his middle-class family before and is able to act as a guide. Mok, an aspiring rap singer, comes from a middle-class family, but chooses to live on his own in the dilapidated deteriorating 18th district, known as 'Moskova.' Mok characterizes the place as a haven for artists and intellectuals, but it is plainly just a Third World slum filled with tightly knit and colorful neighbors. Mok and Alilo have many interesting, some tragedy-tinged adventures over the five days it takes them to find the suitcase.

Un agente de bolsa llamado Steph descubre que tiene un hijo, Mimi Siku, viviendo en el corazón de la selva venezolana. Le lleva a París, donde el joven, evidentemente, tendrá dificultades para adaptarse a la civilización. (FILMAFFINITY)

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

After a conviction for theft, Merwan was expelled from France, where he had lived since the age of one, to Algeria, his country of birth. In a foreign country of which he knows neither the language nor the customs, he finds himself stripped of his belongings and on the street.

The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...

After he is dismissed from his umpteenth job, Momo is kicked out of the family home by his fed-up father. He immediately joins his buddy Manu, who is also penniless having just lost his job at a cafeteria. The two decide to ask shady nightclub owner Sammy for a job, and he promptly hires them to transport back two statuettes from Amsterdam. Momo and Manu soon find out that these art objects are stuffed with drugs, but still manage to carry out their mission. They receive one kilo of grass in exchange, which they sell immediately. But while the business is lucrative, they discover that it's not so easy to become a full-fledged drug dealer...

This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

This is a charming and successful farce from director Thomas Gilou, featuring a witty screenplay co-authored by producer Monique Annaud. When a group of African squatters in Paris are threatened with eviction, they find themselves fighting against a bureaucracy that few French citizens understand, let alone immigrants. In desperation, they turn to their best option to resolve this dilemma: they call for a sorcerer from home. The sorcerer hops on a jet to Paris to cast spells on the entrenched bureaucrat, and while en route he strikes up a conversation with a fellow passenger, mentioning his job pays quite well. The interested passenger could stand to make a few extra francs, so he decides to take the sorcerer's place. Once he arrives, this imposter has to act like he knows what he is doing, and at the same time, he had better solve the eviction problem.

La corrupción es el estado natural del sistema policial francés. El oficial René es un claro ejemplo: acepta sobornos de cualquiera, traiciona a sus compañeros con soplos y prácticamente todo lo que hace es reprochable, menos para él que es sin duda el héroe de la película.

Un científico obsesionado construye un ser vivo a base de partes de cadáveres exhumados.

El agente secreto Josselin Beaumont ha recibido la orden de asesinar a Njala, presidente vitalicio de Malawi. Un cambio político inesperado provoca la denuncia de Joss y que éste sea encarcelado en Malawi. A su regreso a París, tras dos años de aislamiento y vejaciones, el deseo de venganza es su principal motivación. Joss contacta con su superior, el coronel Martin, para informarle que, como el buen profesional que es, cumplirá con la misión de matar a Njala. Martin movilizará a todos sus hombres para que acaben con Joss, pero éste escapa a todas las trampas que le tienden sus ex compañeros y logra atravesar la fortaleza de elementos de seguridad y guardaespaldas que rodean a Njala.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

L'Etat Sauvage is based on the novel by Georges Conchon which won the highly esteemed Prix de Goncourt. The story chronicles the mindless racism of both the departing French colonial overlords and the emergent black Africans in a newly emerging African state. Laurence (Marie-Christine Barrault) suffers the outrage of her white acquaintances, including her former lover Gravenoir (Claude Brasseur) and her ex-husband Avit (Jacques Dutronc), for her affair with Patrice Doumbe (Doura Mane), an official in the new government. He in turn is ridiculed by his fellow cabinet ministers for stepping out with a white woman. The vilification escalates to such a point that Patrice is brutally murdered, and Laurence barely escapes the country alive, with the help of her ex-husband Avit.

French-Senegalesian production directed by Jacques Champreux.