Director of Photography
A principios del siglo XIX, el pugilismo era el deporte de los reyes y un talentoso joven boxeador luchó para convertirse en campeón de Inglaterra.
Director of Photography
Un arquitecto cascarrabias y brillante, Alfred, se embarca en un encargo muy inusual en Malta para un hombre que se hace llamar "El Gran Duque de Córcega". Una epidemia golpea la isla y todos deben huir, pero Alfred queda para terminar el trabajo.
Director of Photography
Un grupo de amigas se traslada a una lujosa casa del desierto del Mojave para pasar unos días de diversión y desenfreno. Lo que no podía augurar es que algo, llegado desde más allá del cielo, transformará su fin de semana en una fiesta de sangre, muerte y destrucción.
Director of Photography
A woman and her group of selfless thieves rob a pharmacy and hit the road to distribute medication, but find themselves trapped in the fringe lands of a law-less psychedelic city.
Director of Photography
Hope and desperation come to a head as a father conjures a half-baked plan to reunite his family.
Director of Photography
Joyce (Lin Shaye) es una viuda solitaria que decide poner en alquiler una de las habitaciones que tiene en su casa. Con el paso del tiempo, empieza a desarrollar una obsesión con uno de sus huéspedes.
Director of Photography
Eszter is taken on a journey down the rabbit hole.
Director
"The Negative," is about a large format still photographer and his journey in the wilderness of the American West. After exploring different options and formats, the filmmakers decided to originate the film on VistaVision. The film is a love letter to the John Ford western "The Searchers," which was also shot on VistaVision.
Director of Photography
"The Negative," is about a large format still photographer and his journey in the wilderness of the American West. After exploring different options and formats, the filmmakers decided to originate the film on VistaVision. The film is a love letter to the John Ford western "The Searchers," which was also shot on VistaVision.
