Alejandro Nantón

Películas

El piso del viento
Assistant Director
A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.
El piso del viento
Producer
A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.
Cerro Quemado
Editor
Micaela y su madre Yurquina emprenden un viaje en busca de su abuela Felipa, última moradora Coya del olvidado, duro pero extraordinario paisaje andino de Cerro Quemado. El trayecto se convertirá no solo en el retrato poético de un mundo a punto de desaparecer, sino también en el encuentro íntimo, espiritual, de tres mujeres de generaciones distintas unidas por un pasado indígena.