Juraj Nvota

Juraj Nvota

Nacimiento : 1954-03-01, Bratislava, Czechoslovakia [now Slovakia]

Historia

Juraj Nvota (born 1 March 1954) is a Slovak actor and film and theater director.

Perfil

Juraj Nvota

Películas

Word
Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.
Inde
Script
Inde
Director
Yo, Olga Hepnarová
Advokát
"Mi veredicto es: Yo, Olga Hepnarová, víctima de vuestra bestialidad, os condeno a pena de muerte". Esas fueron las famosas palabras de la asesina en masa, Olga Hepnarová, de 22 años de edad, quien en 1973 condujo un camión contra un grupo de personas inocentes en Praga.
Jááánošííík po tristo rokoch
Director
Johankino tajomstvo
Director
Hostage
Director
Tragicomic family film about the world of children heroes - particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before "Prague Spring" and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult's world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.
Klauni
Karel
Alguna vez fueron un popular trío de payasos, ahora Oskar , Max , y Viktor están viviendo vidas muy diferentes . La intensa lucha que terminó su amistad les ha dejado en malos términos por más de 40 años. Max está luchando contra el cáncer de colon , la esposa de Viktor está perdiendo una batalla a la enfermedad de Alzheimer y Oskar, que nunca ha sido el mejor papá, está tratando de rescatar a su hija de una relación abusiva . De hecho, los buenos tiempos se han ido. A pesar de sus situaciones, cada uno sigue tratando de mantener un sentido del humor . Se ven con nostalgia los días en que eran superestrellas slapstick. Sin embargo , cuando se trata de afrontar los problemas que condujeron a su desaparecida carrera, parece que no pueden dejar ir su ira . A medida que concilian una reunión , comienzan a darse cuenta que el único camino de regreso a la cima es a través del perdón .
Líbánky (Luna de miel)
Priest
República Checa /// Durante una íntima luna de miel que se llevará a cabo durante la tarde, la noche y la mañana siguiente en una casa de campo, irrumpirá un invitado inesperado.
The Confidant
Screenstory
New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.
The Confidant
Director
New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.
Identity Card
otčím Aleše
Bittersweet comedy about four teenage boys, their friends, parents, lovers - from the moment when they are 15 to moment when they are 18. Story is set in 1970s, when is Czechoslovakia occupied by Russians.
Muzika
Director
Cruel Joys
Director
This simple story is the feature debut for well-known Slovak theater and television director Juraj Nvota. Set in a Slovak village at the turn of the last century, the story teems with passion, and repressed and hidden emotion. It delves into the search for identity, investigating both love and hatred, while dramatizing the tragic relationship between an adolescent girl (Tatiana Pauhofová) and her ambitious father (Ondrej Vetchý). Set against the striking though simple backdrop of a picturesque, even idyllic, landscape - one ostensibly cut off from any important historical, political, or social context whatsoever - the arrival of an unwanted individual evokes the onset of a cruel drama.
Slečna Dušehojivá
Director
Priateľstvá padajúceho lístia
Director
Modré z nebe
Poetic movie about 3 generations of women.
Prášky na spanie
Director
Dušička
Director
Everything I Like
Tomás
A film about the uncertainties faced by a man in post-Communist Slovakia, his relationship with a teenage son and English teacher girlfriend who's soon to return home to England.
Výlety v pamäti
Director
Výkupné za náčelníka
Director
Rýchlik
Director
I Love, You Love
Jaro
The drama called I Love, You Love was made in 1980 but because of the absurd ideological ban, the film entered cinemas nine years later. Pišta is an unmarried man who works at a freight wagon which carries letters and parcels. Alcohol helps him to overcome his handicap of being short and not good-looking. He wishes he had a woman, but the woman he really wants, ageing Viera who reloads the cargoes, has a soft spot for another man. So, Pišta has nobody and nothing, except for senile mother who sometimes fails to recognize him. The film received Silver Bear for Best Director at the International Film Festival in Berlin.
Silent Joy
Vlado
This film is a psychological study of a woman who chooses solitude as an escape from the duplicity and emotional barrenness of the men around her.
Paradajka za rohom
Director
Rose Tinted Dreams
Jakub
Jakub, a dreamer and budding magician, juggles between parcels and services rendered to the villagers. His eyes cross that of the beautiful gypsy Jolanka. Together, they will try to live a first and big love, despite the pressure of their respective communities.
322
Vladko (voice)
A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.