Props
Don José (Glenn Ford), un soldado navarro destinado en Sevilla, conoce a Carmen (Rita Hayworth), una gitana de una belleza irresistible. Su pasión amorosa por ella es tal que en sus manos el soldado se convierte en una marioneta que abandona el ejército y se echa al monte como un forajido más.
Props
When an employee at an illegal gambling den dies suspiciously, her sister, Nancy, looks into the situation and falls for Johnny O'Clock, a suave partner in the underground casino. Selfish and non-committal by nature, Johnny slowly begins to return Nancy's affection and decides to run away with her, but conflict within his business threatens their plans. As Johnny tries to distance himself from the casino, his shady past comes back to haunt him.
Property Master
This economy-minded Columbia backstage musical opens with overly fussy director-choreographer Eddie Dolan (wartime star-substitute Fred Brady) in exigent mode, much in the Cole manner. Closing the movie are two archetypal Cole numbers: a perfect capture of his nightclub rhumba routine (using costumes that also appear in Tonight and Every Night) and a backyard tomboy-romp that morphs into a waltz, one of Cole’s oft-repeated themes. -Museum of Modern Art
Props
Leopold Dilg huye de la cárcel donde cumplía condena por incendio, y se esconde en casa de Nora, una amiga de la infancia. Pero resulta que ésta ha alquilado la casa durante el verano a Michael Lighcap, candidato al Tribunal Supremo. Dilg, que se hace pasar por el jardinero, y Nora logran convencer al magistrado de que Dilg es inocente. Entonces los tres intentan atrapar a los verdaderos delincuentes; pero, al mismo tiempo, los dos descubren que se han enamorado de Nora.
