Juan Carlos Valdivia

Sinopsis Paloma y Amaru (Pamela Peró y Romel Vargas) tienen una relación casi perfecta, hasta que aparece Søren (el actor francés y famoso Willy Cartier) y da la vuelta a todo...

Sinopsis Paloma y Amaru (Pamela Peró y Romel Vargas) tienen una relación casi perfecta, hasta que aparece Søren (el actor francés y famoso Willy Cartier) y da la vuelta a todo...

Sinopsis Paloma y Amaru (Pamela Peró y Romel Vargas) tienen una relación casi perfecta, hasta que aparece Søren (el actor francés y famoso Willy Cartier) y da la vuelta a todo...

Football seen through the eyes of some of the best directors of the world.

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

A filmmaker tracing the steps of Swedish explorer Erland Nordeskiold travels with a Guarani Indian from the highlands of La Paz to the swamps in the forests of South Eastern Bolivia, a place where uncontacted indigenous still exist. Philosophical Road Movie into the heart of Guarani culture of Bolivia translates ancient knowledge and explores the importance of the other in the construction of our identity.

In La Paz -as opposed to many other cities- the rich live below, which is the Southern District. Life goes on without major mishaps in a large house surrounded by a beautiful garden. It is a wonderful world, a great bubble of comfort, where different personal spheres coexist: the mother, along with her three children and the Aymara inhabitants of the house. The drama surfaces slowly, without narrative ploys, observing day-to-day activities until internal and external forces make the bubble burst. The film relates the story of the final days of an upper-class family, at a time when the country is undergoing social changes.

Mario Álvarez (Demián Bichir) es un profesor boliviano cuyo sueño es emigrar a los Estados Unidos para poder mejorar su nivel de vida. Pero, además de no conseguir el visado americano, se ve envuelto en una trama criminal

Mario Álvarez (Demián Bichir) es un profesor boliviano cuyo sueño es emigrar a los Estados Unidos para poder mejorar su nivel de vida. Pero, además de no conseguir el visado americano, se ve envuelto en una trama criminal

Mario Álvarez (Demián Bichir) es un profesor boliviano cuyo sueño es emigrar a los Estados Unidos para poder mejorar su nivel de vida. Pero, además de no conseguir el visado americano, se ve envuelto en una trama criminal

Jonás está a punto de ser tragado por su familia política. Talía, su esposa, lo quiere cerca... aunque no tan cerca; su hipocondría la hace presa de exóticos achaques. Patroclo, el suegro, quiere que Jonás administre la construcción de su mausoleo privado. Ira, la suegra, controla el destino familar desde la tina. Mientras ellos viven en el despilfarro en una vieja casona, Jonás huye al sótano en medio de muebles viejos, goteras y arena, Jonás instala un cuarto oscuro hasta que Julia, la joven cuñada, irrumpa en su vida con el pretexto de aprender fotografía...