Andreas Giebel
Nacimiento : 1958-06-04, Munich, Germany
Herbi Zidinger
Pförtner Huber
Hanni la esposa de Farmer y madre de tres niños se preocupa por la más jóven, Magdalena, que es más pequeña y más sensible que sus hermanos. Ella tiene gripe estomacal y no puede ver bien. Los médicos no prescriben nada más que panaceas, y no toman su caso en serio. Mientras Hanni busca a un médico que tome los síntomas de Magdalena en serio, su marido y sus hijos se sienten descuidados. En última instancia, Hanni tendrá que recurrir al gobierno, y confrontar sus recuerdos de infancia de los tribunales sombríos y pasillos oscuros. Un drama familiar de intensidad contundente, un thriller basado en una historia real.
Lu Reinhold
A crime movie directed by Dominik Graf.
Hubert (Katis Vater)
Since they graduated from school five years ago, the friends Jo and Kati have not seen one another. While one of them travels around the world and has arrived in India in the meantime, the other one is struggling with the final exams of the university. But five years are like blown away when Kati one day listens to a worrying message from her friend on her answering machine. Immediately, she drops everything and drives to her home village in order to gather together the old friends from her school days and to look for Jo in India.
Franz Maisacher
Ignaz Grasegger
Sepp Schade
It is the love story of Resa and Oskar who meet in the 1970s in the midst if the leftist studen movements. For Resa it is love on first sight when she encounters the handsome and self-confident activist Oskar and is willing to do anything to get his attention. The relationship she dreams of finally comes true, but quickly problems arise. One day Oskar disappears without a trace from her life completely. Years later both meet again - now more mature and with surprising careers...
Herr Kneißl
Johann Schüssler
Heiner Sobeck
Autohändler
Ludwig Breitmoser
Pfarrer Endl
Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.
Katis Vater
After they have graduated from school, the two best friends Kati and Jo jump into their purple Benz and embark on a journey around the world southwards. Kati, however, struggled with the decision for the journey as the love of her life returned to their hometown Tandern shortly before their departure. The journey leads the two friends over the Brenner pass, where their car suddenly stops working. When Kati then also learns that her grandfather is about to die, she wants to return home – this puts the friendship of the two to an acid test.
Georg Richter
Katis Vater
Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.
Zollbeamter / Trinker / Verkäufer / Reservist / Geschäftsmann
A series of short, absurd, humouristic episodes taking place in Passau, Bavaria. There is, among others, a documentary piece describing a drinking contest, a clerk's day-dreaming Hitler fantasies, a shy nun struggling to get oriented in a city (then turning into a pianist) during an orgy, a showmaster killing his guests with a thresher... All episodes are loosely glued together by a variation of always the same scene: an annoyed TV show / TV movie producer trying to convince both director and female main character that the last episode is unacceptable with respect to consumer needs and professional standards.
Menzel