Gun Jönsson

Stall-Erik och snapphanarna is a Swedish film project that began filming in 1996 with a preliminary premiere in 2025. Director, producer and lead actor is Anders Olofsson. Olofsson is entirely responsible for the financing of the project and the casting.

Real estate broker Oskarsson visits a cabin deep in the woods. There he finds a bedridden and mute old woman who seems well cared for. There has recently been a fire in the stove, there is food in the fridge, but no trace of who cares for her.

Roger is a failed petty criminal living in Stockholm who falls in love with the cute Susanna

Moa is seven years old and lives with her mother and her hamster. When her mother gets a new boyfriend Moa starts fantasising about her father's life in Africa.

Johan enjoys the autumn work in the small park in his hometown, but he is worried ...

A sacrificial passive woman spends her life breeding happiness into her family. What happens when her world of security cracks, shatters completely and her identity dissolves?

A woman gets cancer.

Hypochondriac Lasse has finished his education but has trouble finding a job, instead he goes out trying to pick up girls. One morning he meets Lena in the stairwell.

Holidays on the swedish east coast. Invading summer guests collide with the locals, all without inhibitions. The formerly so radical Social Democratic municipal councilor has completely lost his visions and fully accepts that the area is transformed into a tourist resort for the rich.

Harry Munter, a sensitive, kind, appealing man in his twenties, lives with his parents. He's an inventor, a bit of a mystic, maybe a genius, and a good son and grandson. He's offered work in the U.S. But a friend has cancer and the world is changing in ways that provoke profound sadness. Written by Eileen Berdon

Soy Curiosa - Azul se desarrolla en paralelo a Soy Curiosa - Amarillo. Continúan los esfuerzos de Lena por comprender la sociedad sueca. En esta ocasión sus preocupaciones giran alrededor de asuntos como la religión, la sexualidad y el sistema de prisiones, a la vez que mantiene la exploración de sus propias relaciones personales. De la misma forma que en Amarillo, Azul atraviesa libremente las líneas que separan realidad y ficción, empleando una mezcla de técnicas propias del drama y del documental. (FILMAFFINITY)

In the last film of the original 91 film series two letters - one written in spite and another in love - end up in the wrong hands, while 91 and 87 as usual try to avoid ending up in military arrest.

Cecilia (Ingrid Thulin) sufre una hemorragia interna cuando sólo lleva tres meses de embarazo. En la habitación del hospital conoce a Stina (Eva Dahlbeck), cuyo bebé nacerá con retraso, y a Hjördis (Bibi Andersson), que espera un hijo ilegítimo y ha intentado abortar.

Two photographers from Stockholm go to the west coast on behalf of their employer, who is a swimwear manufacturer. They will look for the season's most beautiful bathing girl, but it will be harder than they think to find the ideal model.