Arthur Barron

Thinly disguised account of the relationship between radical black activist Angela Davis and Black Panther and prison inmate George Jackson, who was one of those killed in a failed 1971 prison breakout.

A lonely thirteen-year-old boy in New York City has a crush on a pretty cheerleader and ignores the quiet young girl who likes him.

Jeremy Jones está aprendiendo violonchelo en una escuela de artes en Nueva York. En la escuela ve a Susan Rollins ensayando para una audición de ballet, y se enamora a primera vista. Él es muy tímido para acercarse a ella, por lo que recibe ayuda de su experimentado amigo Ralph. La primera impresión de Susan no es muy grande, hasta que le oye tocar el violonchelo. (FILMAFFINITY)

Jeremy Jones está aprendiendo violonchelo en una escuela de artes en Nueva York. En la escuela ve a Susan Rollins ensayando para una audición de ballet, y se enamora a primera vista. Él es muy tímido para acercarse a ella, por lo que recibe ayuda de su experimentado amigo Ralph. La primera impresión de Susan no es muy grande, hasta que le oye tocar el violonchelo. (FILMAFFINITY)

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

A 1968 film study of birth and death.

Portrait of six criminals responsible of diverse agressions.

James Baldwin narrates how his early years in Harlem made him alive to the forces at work in the city and American society to manage the black population. Describing the economic and visual disparity of New York’s famed Fifth Avenue that runs through Manhattan and Harlem, Baldwin reminds us that the “avenue is elsewhere the renowned and elegant Fifth,” but venturing north “we find ourselves on wide, filthy, hostile Fifth Avenue, facing a project which hangs over the avenue like a monument to the folly, and cowardice of good intentions.”