Panagiotis Nikitopoulos

In this black comedy, the men in a lovely mansion slowly give in to a kind of terminal sloth after they are freed from the need to actually work. The father takes to his bed after his hernia acts up and never leaves it. Of his three sons, only one wants to do much about leaving, and he does in fact cross the front threshold of the house with his lover, who is also the maid. However, before he has gotten very far, he is very tired, and goes to sleep where he stands. One of the sons outdoes them all by sleeping literally all the time. He is not in a coma -- he is just very, very lazy and tired. Some critics have viewed this film as a sharply delineated social satire.

Lampros is a scrooge person whining for every penny he spends. One day though, along with a friend, he goes out to party with unexpected results...

Thirty-year-old lower middle class Dimitris, faint-hearted and not particularly ambitious, is ready to jump at the opportunity that will get him handsomely provided. He wavers between yesterday, the German occupation nightmare and his love debut with a neighbour and contemporary, fluid reality. He meets Thaleia, a rich woman his age, who frequents the same night club as him, but his daily routine is invariably the same. The closure of the small industry in Drapetsona, where he used to work for the last 8 years, and his relationship with Maria confront him with a different reality. Maria is a progressive, evening school teacher, full of dreams.

A model (Elena Nathanail) is on vacation with her sailor husband (Thodoros Roumpanis), and she falls in love with an employee (Spyros Fokas) who works in the hotel where they are staying. She confesses her feelings to her husband, and he abandons her. The young woman hooks up with with the employee, who goes with her to Athens. There, their passion – and her crisis - will reach their peak.

Madalena is a tough seventeen-year-old who is forced to take on her father's ferry business after he dies. She has her many brothers and sisters to support, and there is no one else to do the job. So she rallies her defenses and sets out to give her rival in the ferry business a run for his money. But at the same time, the rival's handsome son is starting to look better and better. Madalena refuses to acknowledge her feelings for him -- though how long she can sustain that denial is the question.