One day, King Yeremei decides to go on a long hike in order to consider all his areas and compile their register. A well appears on his way home, but as soon as the sovereign bent over him, he was seized by the underwater king Chudo-Yudo and demanded an unusual ransom for his release — that which is in the state of Yeremei, but which he does not know about. The tsar is forced to agree to these conditions, because he thinks that each blade of grass was taken into account in the inventory — he still does not suspect that in his absence the Queen gave birth to him an heir.
Kingdom of Crooked Mirrors is a 1964 Soviet fairy tale film directed by Aleksandr Rou based on a story with the same name by Vitali Gubarev. Both the surreal story by Vladimir Gubarev, together with the 1964 film, written in a Through The Looking Glass style. Alice-type Soviet girl, named Olya meets her counterpart Yalo, while looking into the mirror. Yalo is an absolute antipode to Olya, for example where Olya is precise and neat, Yalo is absent-minded, careless, etc. The explicit plot relates to Olya learning to see herself differently, but this occurs through an experience in the Kingdom of Crooked Mirrors which serves as a mechanism for commenting on the ability of a society to manufacture a false reality.
The story that happened on the farm near Dikanka on the night before Christmas, when the village blacksmith Vakula, having saddled the Devil, brought to his beloved Oksana, the daughter of a rich Cossack Chub, queen's "сherevichki"(the little women shoes) from the capital — St. Petersburg.
On falling in love with Sergey, Natasha gives up studies at a pedagogical institute and accompanies him to a construction site. In a course of time she realizes that her husband is interested only in his work. She leaves him, graduates from the institute and works as a teacher. But Sergey is fired for authoritative style of work and Natasha realizes that she must be near to him in his hour of need.
