Julia-Maria Köhler

Four neighbors, one boss, and a fateful party. The harmony between the friendly couples Bianca/Oliver and Dila/Simon is put in danger when Oliver's boss Lars invites himself to a barbecue party. With dangerous charm and amusing intrepidity, Lars pushes the situation to such an extent that the two couples begin to question the foundations of their lives and fall into actionism. Until the pressure turns into counter-pressure and Lars himself becomes a target.

Weimar, 1921. La vida de Lotte Brendel, de 20 años, parece estar predeterminada. Su padre la ve como una futura esposa y madre del lado de un hombre que se hará cargo del negocio de carpintería de sus padres. Pero la peculiar Lotte se une a un grupo de jóvenes artistas contra la voluntad de su familia, se postula en la Bauhaus y es aceptada. La Bauhaus de Weimar, bajo la dirección del visionario Walter Gropius, aspira no sólo a combinar artes y oficios, sino también a encontrar un lugar para el "Hombre Nuevo". Lotte encuentra en el estudiante Paul Seligmann un apoyo y su gran amor.

In Dublin, Blake Lester breaks Lucy Silchester's dream by preferring an overseas TV show career move over their marriage plans since years. Receiving a mystery letter 'from her life', Lucy seeks consolation with mates Adam, Melanie, Lisa and Jamie. Angrily Lucy meets critical sender Cosmo, who urges her to set priorities among colleagues, family, friends and truth to correct her derailed life, which she finds hard to disprove by showing happiness. Lying to boss Edna costs her job. Desperate hitting rock bottom, she attempt to win successful Blake back. Her protective brother, attorney Riley, and Cosmo rather favor attractive carpet cleaner and neighborhood urchins football 'coach' Don Lockwood, who consents, yet this fails as she retracts despite good sex while he works in her apartment. Sad news about her neighbor Claire, a breakup between workaholic father Samuel and 'neglected' mother-housewife Sheila make Lucy die reconsider her own priorities.

Desde que su esposa murió hace 13 años, Karl ha criado a su hija solo. Todo cambia cuando Sonja, una atractiva directora editorial, se muda al apartamento de al lado.

Christine , está a punto de cumplir 40 años y su romance con Richard no funciona. Gracias a su nuevo trabajo como columnista en una revista empezará un romance con Sven, su atractivo jefe.

El mundo de Christine se derrumba cuando se separa de su marido después de 15 años de matrimonio. Desmoralizada, decide hacer las maletas y mudarse a Hamburgo con una amiga

Julianne regresa para apropiarse de los viñedos de su ex marido. El reencuentro entre ambos resulta tenso, pero el hombre nunca ha dejado de amarla... ni ella de culparle por la muerte de su hija.

The film starts with the main character Laura, a young woman with advanced cancer, entering quite upset the home of her parents and claiming to have stopped chemo therapy and having left her husband. The worried parents call the other three adult daughters into the house and they arrive one by one. For the first time in 6 years the entire family is united again. The characters are drawn as tensions rise from old conflicts and as the situation sinks in that Laura might be terminally ill. The movie eventually shifts from a lively sometimes comical beginning into the serious theme of dying and does handle this quite tactfully and moving. While the film touches on many areas surrounding death (including religion, graveyard, care, eutanasia) the main focus is on the transformation of the characters that are thrown out of their busy lifes into this situation, eventually accepting it and dealing with it.

A road movie, buddy picture and romance rolled into one, Low Lights pivots on a love triangle that evolves when two men and a woman take to ritual night driving. Transforming cold urban space into something charged with excitement, the drives provide the hope the trio so desperately needs.